Welcome to the Audio Pirates library of goodies
Here you will find a whole archive of links to Audio Production Software, VST, DX, RTAS & AU instruments & Effects, as well as links to other useful software.
You will also find audio links here too, including breaks & samples, a capellas, DJ/radio mixes, albums, compilations and cool music videos.


Everything on here is from links I've found on the web, i haven't uploaded any of this stuff myself.
I have tested and do use some of this stuff but not all of it, its a good idea to scan anything you download before using it just to be safe :)
The stuff here is intended as 'try before you buy', if you like this stuff please buy it, if not... delete.

Independent Music Network

Independent Music Network
Http:// ---- Http://

Friday, 27 November 2009

Korg Legacy Collection Analog Edition v1.2.3 Mac OSX UB

File Size: 44.4 MB
The Korg Legacy Collection series are packages that contain software versions of classic Korg synthesizers. Delivering perfect replications of the original sounds while adding many new functions that open up fresh possibilities, these software synthesizers have received the acclaim that you would expect from Korg, the original manufacturer.
Technical Requirements:
Macintosh Computer
CPU: Apple G4/800 MHz or faster, G4/1.25 GHz or faster recommended (Some preset combination programs in Legacy Cell structure require G4/1.25GHz or faster), Intel-based Mac (Universal Binary)
Memory: 256 MB or larger
Display: 1,024 x 768 – 32,000 colors or higher
- Operating System:
Mac OS X 10.3.9 or later, MacIntel compatible
Stand-alone: Core Audio compatible audio interface (Macintosh’s on-board sound output port can be used)
Plug-in: Depends on system requirements of host application program
Thanks to Team AIR
Install Directions:
1) Unzip, Unrar and run installer
2) While asked for authorisation select .
Enter the displayed into our keygen and generate a valid serial for your system.
3) Enjoy this fine Team AiR release !!!
Download Here:
Password: ozmosis

Korg Legacy Collection - Digital Edition v1.3.2 Mac OSX UB

File Size 86.1 MB
Introducing the Korg Legacy Collection -- Digital Edition; stunning software versions of 2 Korg digital synthesis masterpieces -- the M1 and Wavestation -- plus the MDE-X multi-effect plug-in. Now you can get the classic sounds of these 2 ground-breaking synth legends updated for the 21st century and ready to rock your computer, in VST, Audio Units and RTAS-compatible formats!
The Korg Legacy Collection delivers classic Korg synthesizers reborn as software. Taking advantage of the technical know-how uniquely available to the original manufacturer, Korg has received high acclaim for turning some of their most legendary instruments into software while adding modern parameters and up-to-date ideas. Now, joining the Korg Legacy Collection is the all-new Digital Edition, featuring the software incarnation of the legendary M1 and an enhanced version of the Wavestation software synthesizer.
KLC-1/Virtual MS-20/ANALOG EDITION/ANALOG EDITION 2007 are updated to v1.2.3 respectively, and KLC-DIGITAL EDITION is updated to v1.3.2.
The stability has been improved (including bug fixes), and this version now supports Mac OS X 10.6 Snow Leopard (32-bit).
The copy protection method of KORG Legacy Collection series has been changed.
November 9, 2009
Korg announces that there is a change to the copy protection method for the KORG Legacy Collection series. Korg is switching from the USB Key Copy Protection to the Challenge/Response License Authorization where a unique license code is issued to your computer.
To all KLC series customers, we apologize for any inconvenience associated with this change, and greatly appreciate your cooperation and understanding.
Today, we have released KLC updaters* where you can choose either copy protection method. Please note that we are going to stop providing user support services for the USB Key Copy Protection system effective from April 30, 2010. And from May 2010, any updates we issue will support only the Challenge/Response License Authorization system, not the USB Key Copy Protection system.
Thanks to Team AIR
Install Directions:
1) Unzip, Unrar and run installer
2) While asked for authorisation select .
Enter the displayed into our keygen and generate a valid serial for your system.
3) Enjoy this fine Team AiR release !!!
Download Here:
Password: ozmosis

IZotope iDrum VSTi AU RTAS v1.7.2 MAC OSX UB

File Size: 42.6 MB
It doesn't matter if you're a professional beat-maker or if you've never touched a drum machine before. iDrum lets you create drum patterns quickly, either with its top-notch included kits or your own samples. There's simply no faster way to build a beat on your Computer.
Drum machine newcomers will get to experience the same magical instant
-gratification that hooked an entire generation of musicians on the hardware drum machines of yesteryear. Pros will find that iDrum is the perfect way to manage large unwieldy drum sample libraries, get a phat beat going, and get it exported into the format you need (and for less money than a replacement pad for your MPC 3000).
Seamless integration
iDrum runs as both a standalone native application and as a plug-in for Pro Tools, Logic, Ableton Live, SONAR, Cubase and more. This means you can use iDrum to create beats from right within your favorite music software environment, perfectly synced with your arrangement and always right where you left it when you return to your project after your next world tour.
Play that Beat
Don't feel like pushing buttons with your mouse? Prefer to bang on things instead? iDrum has you covered. Use record mode to tap out beats on an attached MIDI keyboard, or even using your QWERTY keyboard!
Samples Reloaded
iDrum comes with hundreds of professional drum samples arranged in nearly two hundred iDrum files, each with several preset patterns programmed by some of the best beatmeisters working today. But these beats are just the beginning since you can mix and match parts and samples between kits, and even load your own AIFF and WAV drum samples, the possibilities for beat creation are virtually endless. If you ever run through all the drum sounds that come with iDrum (and it will take you a while, believe us), you can drag any AIFF or WAV file of up to 2MB in size into iDrum's channel window.
Patterns Galore
Store up to 99 patterns in a single iDrum file, along with all of the drum sounds you used to make your beat. iDrum makes it simple to create tons of variations on a simple pattern, and then chain them together using Song Mode. Or simply trigger patterns from your favorite host sequencer.
iDrum comes with dozens of presets, a unique feature that makes it incredibly easy to create amazingly cool beats by simply mixing and matching parts and samples even if you've never programmed a beat before. You can even add your own parts to iDrum's part preset library so you never, ever, ever have to program that syncopated disco hat figure again (you know the one we mean).
Thanks to Team ArCADE
1) Unzip, Unrar and install
2) Use PC Keygen.exe to register
3) Enjoy
Download Here:
Password: ozmosis

Progress Audio Kinisis AU VSTi v1.02 Mac OSX

File Size: 33.9 MB
We think that making a better synth involves more than adding more LFOs and endless controls. We developed the Timeline feature which lets you 'animate' controls over the course of a note, so that you can create sounds that move and change in incredible ways. With such flexibility, it might just be the only synth you need.
Here are some of the benefits of the Timeline system:
Detailed control: Gives you detailed control over how a parameter changes over the course of a note in an easy, intuitive and powerful way
Easy to learn: Once you learn how to create a simple filter sweep with the Timeline, you can go on to create complex sounds using the same method in the Timeline. Simple or complicated, the Timeline does it all.
Stay on one screen: You can do most of your sound design work from the main screen. No need for lots of extra screens and hidden menus. Everything you need is at your fingertips, making it a quick and efficient user interface.
Make sounds as complex as your imagination: Up to 2 billion breakpoints can be created in each section of the Timeline, so if you need intricate movement in your sounds, Kinisis will make it happen.
Visual feedback: The on-screen controls animate as you play notes, showing you how they are changing over time. You can see how the sounds you are hearing are being made.
'Time freeze' feature for sound design and as a performance tool. Freeze the action at a single point in time in the Timeline. Great for fine-tuning a part of your sound. Or, sweep through the Timeline with the mouse or a MIDI controller for a unique real-time performance tool.
Multiple parts
- 4 parts or 'voices' per note for complex layered sounds.
- Each voice is a complete synthesiser engine with its own Timeline, oscillators, filter, modulation options and effects routing. Oscillators
- Vector synthesis oscillators which mix between 4 waveforms
- 4-part unison.
- Noise oscillator can be mixed into the main waveform.
- Import waveforms from WAV files.
- Use the additive editor to change individual harmonics for ultimate control.
- Waveform editor allows you to draw in a waveform, great for experimenting. Filters
- 12dB/octave resonant filter.
- Low pass, band pass and high pass modes.
- All parameters controllable by the Timeline for great filter effects. Modulation
- Per-note modulation matrix and LFOs. Each note plays its own modulation effects independently of other notes.
- All LFO parameters can be animated in the Timeline.
- Modulation amount in each slot of the modulation matrix can be animated over the course of a note using the Timeline. Effects
- Delay, reverb, and distortion global send effects.
- Effects send amount is controllable for each note by the Timeline. Each note's effect sends can be controlled over the course of the note.
- Global low-pass and high-pass filters for general shaping of your sound. Real-time performance controls
- 6 assignable X-Y pads with MIDI learn and host automation support.
- Time freeze: sweep through the Timeline with the mouse or MIDI controller to control which part of the Timeline is being played.
Install Directions:
1.Unrar and install
2.Input supplied Serial Number
Download Here:
Password: ozmosis

Monday, 23 November 2009



Trash brings creative control back to the artist. Define your distortion sound with the Trash toolbox of effects or recreate the warmth and depth of the classic distortion sounds. Reenergize and inspire your playing with fresh, exciting tones. Plug in, rock out, get Trashed!

iZotope Trash is the ultimate tool for selectively adding distortion to your tracks. You’ll find just as much use for the subtler tone enhancements to your other tracks—tape saturation for vocals, overdrive for keyboards or a pinch of fuzz on a lead guitar, for example. Chain pairs of distortions together or apply distortion independently to individual frequency bands. Trash is compatible with most Mac and PC hosts, supports 192kHz and employs 64-bit for great fidelity regardless of how nasty you like your sound. Trash is the king of distortion—and at a price that smokes the competition.




Studio Devil Virtual Bass Amp (VST, AudioUnits, RTAS)
Bass Amp Modeling Plug-In

Vacuum Tube Preamp Model with Boost Switch for sweet bass tones!

Authentic Tone Controls: Bass, Treble, and a Parametric Mid for variable amp character!
Bright and Deep boost pushbuttons to quickly thicken or brighten the response.
Power Amp Drive Control to adjust natural power amp compression.
Variable Knee Limiter: fast attack limiter variable from hard clipping to soft compression.
2 Cabinet Models: FIR-based 4x10 and 1x15 speaker cabinet and post-production modeling filters give the final sound the finishing touches!
D.I. Box Emulation: bypasses the speaker emulation to allow compatibility with other impulse modeling cabinet & room sims.
Built In 7-Band Graphic Equalizer with master level and bypass controls! hoop://

Sunday, 22 November 2009

AudioMulch v2.0.3 Update Mac OSX UB

File Size: 30.1 MB
This update resolves a number of bugs and user interface glitches. A crash when loading some version 1.0 documents has been fixed. The problem with the display of the help files on some Windows systems has been resolved. See below for the full list of changes.
What's New:
* Fixed crash bug when loading AudioMulch 1.0 documents that contain Drums contraptions with MIDI-controlled or automated channel volumes.
* Fixed bug where you wouldn't be prompted to save changes before closing the document if the only change you made was renaming contraptions.
* Fixed bug where VSTs with a MIDI output and no audio output would receive incoming MIDI messages twice.
* Windows: Fixed "cannot load sqlite database driver!" error while trying to access the help file on some machines.
* Mac: Fixed bug where Save a Copy with Sound Files command would display "An error occurred while creating a directory in which to save the referenced sound files" when trying to overwrite a previously saved document and sound files directory.
* Mac: Fixed bug where contraption names were not displayed on small contraption editors such as those for MGain, SGain and OGain.
* Fixed bug where LoopPlayer, FilePlayer etc would sometimes not show the question-mark icon when AudioMulch could not find the sound file.
* Fixed glitch where the sound file name in LoopPlayer, FilePlayer would sometimes be abbreviated with "..." even when there was space for a longer name.
* Fixed bug where the Notes window was given focus after loading a document, so you couldn't immediately use transport key-shortcuts (because they would type in the Notes window instead).
* Fixed bug where you couldn't close the Set Value dialog box by pressing the Enter key.
* Fixed bug where triggering Clock.GoToStart via MIDI didn't update the transport position on the GUI if the clock was stopped.
* Fixed document switcher to scroll back to top when a new document set is Opened, on New, and on Clear All.
* Fixed patcher display glitch where some ports would remain incorrectly colored after reconnecting patch cords.
Download Here:
Password: ozmosis

Saturday, 21 November 2009


Ableton Suite is the XL version of Ableton Live. Suite 8 gives
you all of the features in Live 8 plus SOUND, with a radically
new Library packed with beautiful new sounds and a wealth of
useful resources. Suite 8 contains 10 Ableton instruments
including synths, a sampler, electric and acoustic drums,
mallets, numerous sampled instruments and the new, reworked
Operator. Two completely new instruments, Collision and Latin
Percussion, round off the set. Ableton Suite 8 is a complete
package: the tools AND the sounds.

Key features

+ Multitrack recording up to 32-bit/192 kHz

+ Nondestructive editing with unlimited undo

+ Powerful MIDI sequencing of software and hardware instruments

+ Advanced warping and real-time time-stretching

+ Library with over 1600 expressive sounds, each with versatile control options

+ A comprehensive selection of built-in audio and MIDI effects

+ A wide range of software instruments

+ Instrument Racks for simple management of complex instrument setups

+ Drum Racks for intuitive and responsive beat-making

+ Effect Racks for professional-grade mastering, mixing and creative sound processing

+ New groove engine; apply and extract grooves in real time

+ Construction kits containing loops and phrases in a number of styles

+ Sound Objects Lite, from SonArte: a toolkit of real world object recordings

+ 440 MB of abstract, experimental loops from renowned music software pioneers Cycling '74 *

+ Over 400 loops and samples from Zero-G *

+ 1000s of single-device presets: simple components for making new sounds and exploring synthesis

+ Song templates with pre-configured tracks and routing

+ Supports AIFF, WAV, MP3, Ogg Vorbis and FLAC files

+ VST and AU support; automatic plug-in delay compensation

+ REX file support plus built-in audio to MIDI slicing

+ Video import and export for scoring, video warping

+ Simple MIDI mapping plus instant mapping for selected hardware

+ Full ReWire support; runs as Slave or Master

+ Multicore and multiprocessor support

Brought to you by......Sp33dy

Thursday, 19 November 2009

Schaak Audio Transient Shaper v2.02 VST AU MAC OSX UB

File Size: 7.9 MB
Two-knob dynamic processing
Transient Shaper allows shaping the dynamics with 2 knobs only, making it uniquely easy and fast to use - yet its sonic manipulation scape ranges from gate-like to compressor-like.
V2.02 features analog saturation, 3 Attack shapes & 3 Release shapes.
V1.11 and V2.02 are compatible. V2.02 consumes a bit more CPU than V1.11, so we decided to still let V1.11 online for those who want to continue using V1.11.
Developer's Website:
- Makes your sound louder, gives it more expressiveness and more punch
- Ideal for individual or summed drums/percussions shaping
- Unique two-knob manipulation characteristics, not obtainable with any other type of gear
- Processed sound ranges from gate-like to compression-like
- Excellent Gate replacement (sounds smoother than a gate)
- 3 different Attack shapes and 3 different Release shapes
- Saturation for cutting off and smoothing too high transients (generated when using strong Attack)
- Resizable GUI (minimized by clicking in top left corner)
- Low CPU Usage (typically less than 1% on half-decent systems)
- Apple OS X (Universal Binary for OS X 10.4.9 or better)
Install Directions:
Unpack, Install
Download Here:
Password: ozmosis

WaveArts TubeSaturator VST AU RTAS v1.00 MAC OS UB-ArCADE

File Size: 5.2 MB
Tube Saturator is the world’s most accurate real time tube amp plug-in. Unlike other tube simulators, which use radically simplified models, Tube Saturator uses state of the art circuit simulation technology to capture every nuance of an analog circuit. With circuit simulation, the analog schematic completely defines the signal processing. The schematic is converted into a system of non-linear differential equations which is solved at each sampling period, in realtime. That’s mathematical talk for “it sounds exactly like the analog circuit”.
The circuit simulation technology is extremely CPU intensive, and hence we are only able to simulate very simple circuits. Tube Saturator is in fact a basic circuit consisting of a Baxandall type three-band EQ feeding two 12AX7 triode preamp stages. It’s similar to preamp stages you’d find in a guitar amp, but it is by no means a complete guitar amplifier model, that would be way too expensive to simulate even with today’s fast CPUs. However, it is extremely accurate, and hence you can get the same distortion and tonal characteristics that you’d expect from a real tube preamp.
Use Tube Saturator to add a bit of analog warmth to recordings, or increase the drive for some distortion. You can use it as a saturating peak limiter too.
Increasing the Drive control increases the (digital) input gain while decreasing the (digital) output gain, so you can easily adjust distortion levels. The FAT switch changes the bias circuit of the first preamp stage to increase gain.
Accurate tube preamp simulator using 64-bit circuit simulation technology
Two common cathode 12AX7 preamp stages
Baxandall 3-band EQ
Drive control for distortion adjustment
EQ bypass
FAT mode for increased punch
Analog style metering
No latency
Up to 192 kHz sampling rate, depending on CPU speed.
Mono or stereo
Developer's Website:
Install Directions:
1) Unzip, Unrar and install
2) Use PC Keygen.exe to register
3) Enjoy
Download Here:
Password: ozmosis

Tuesday, 17 November 2009

Vengeance Essential House vol.1 (Wav Format)

FACTS Vengeance Essential House vol.1:

Over 2400 high quality house sounds from Manuel Schleis and Manuel Reuter

All Loops 100% exactly cutted at 128BPM

Inspiring "vinyl-oneshot" samples

Extensive "Latin Percussion" folder for grooving salsa house

Sorted in the well-tried categories

All Loops are WITHOUT kick, so you can directly mix the loops under your existing groove!

8 sided color CD booklet

Extensive Bassdrum folder (sorted in "hard" and "soft" housekicks)

Brought to you by........Not-new2this

Tonehammer - Waterphone

Welcome to the Tonehammer Waterphone.

We decided to sample this instrument deeper and more creatively then ever done before in the history of sampling. The biggest current Waterphone libraries contains approximately 180-200 samples, which is less then 1/15 of the new Tonehammer library, Ours contains 2,903 samples and 59 different articulations, divided into two main categories: Bowed & Mallets.

The articulations include a variety of bows, a huge set of different mallets, metal devices, hands and other contraptions. The library also contains a variety of more experimental patches, including boiled water at four different temperature levels, hydrophone recordings (underwater microphones in the waterphone), magnets on waterphone tines and filling waterphone with metal screws and other goodies. This sample library pretty much covers just about every thinkable and unthinkable way you’d want to use/abuse a waterphone. We can proudly state we sampled the living soul out of the waterphone. All playable mallet programs contain between 5-10 velocity layers – and 6-10 round robin variations for maximum playability. In addition Waterphone contains a bonus set of waterphone ambiences, including a large collection of unique patches (Kontakt 3 only) made by Steven Tavaglione (Instrumentalist and Sound Designer; Wall-E, American Beauty, CSI, Supernatural and 100s other movies/shows/games).

* $99
* Bowing (no water) Slow, Medium, Fast FX
* Bowing sweep (water) Slow, Medium, Fast FX
* Bowing 2-note legato
* Bowing Sustain (with and without water)
* Bowing Staccato
* Bowing FX grinding w/ tine buzz (with and without water)
* Bowing FX w/ magnets
* Bowing FX w/ hydrophone (underwater mic)
* Bowing FX w/vocals
* Bowing FX boiling at four different temperature levels
* Mallet Rubber (6-7 velocity layers – 6 round robin) at +16 tines
* Mallet Metal (6-7 velocity layers – 6 round robin) at +8 tines
* Hand Played "Metal Tabla" (10 velocity layers – 10 round robin) bottom and top
* Wooden Mallet (6-7 velocity layers – 6 round robin) at +20 tines
* Hydro Mallets (6 round robin) at +20 tines
* Rubber, Metal and Wooden Mallet Sweeps (Slow, Medium, Fast)
* Waterphone Ambiences (Kontakt 3 only) by Steven Tavaglione
* Hydro-Vocal drones, phrases and more…
* Recorded with custom Neumann in studio (excluding wild FX)
* Extensive read me install, patch and hint documentation (.pdf) (download here)
* Listen exclusive Waterphone interview w/ Mike Peaslee & Troels Folmann (mp3 interview)
* 57 instrument patches, 2.903 samples, 4.3 GB installed, 1.25 GB .rar download
* 22 Ambient Patches by Steven Tavaglione (Ambient music on Wall-E, American Beauty etc)
* Sample resolution: 44.1Khz/16Bit .wav format
* Format(s): Kontakt 2 and .wav (note: Kontakt 3 requirement for bonus content)
* Note: Native Instruments Kontakt 2.2.4 / 3 full stand-alone retail versions required

Saturday, 14 November 2009

Applied Acoustics Tassman VSTi AU RTAS v4.13 MAC OSX UB

File Size: 17.1 MB
Tassman is an extremely rich modular sound synthesis environment based on physical modeling. It is both an impressive collection of unique synths and effect processors, and a tightly integrated synthesis studio which lets you customize instruments in any way you wish or even create your own from scratch.
A huge collection of instruments
Choose from a library of 50 synths and more than 1000 presets created by top sound designers. These offer a near infinite range of creative possibilities, from highly realistic emulation of acoustic instruments, analog and FM synthesizers, loop processors to unique hybrid creation simply not possible by any other means.
A synthesizer or an effect processor
Tassman can be used both as a synthesizer and a real-time audio effect processor. For example, acoustic resonators can be used to add unique texture to your sound. Use Tassman as an effect plug-in in your favorite host application.
The benefits of physical modeling
Sound manipulation at the source core
Presets load in a flash
Super smooth dynamics - no velocity layers
Small memory footprint
Installs in less than a minute
What has been added in Tassman v4.1.3?
Total recall! Saving your host project now saves Tassman's instrument, preset, output stage, and MIDI Links;
Better behavior with audio and MIDI settings on first start and on configuration changes;
Recorder now records .WAV and .AIFF files
What has been fixed in Tassman v4.1.3?
Fixed audio cuts when the plug-in window was displayed;
Fixed MIDI Link crash on "Default" channel;
Now works with Cubase 5 64-bit VST Bridge;
Fixed "Fatal Error 417" during authorization on Mac OS X;
Fixed Edit MIDI Link dialog values glitch;
Module info is now displayed on Mac OS X when a module is selected in the browser;
Fixed Player module crash on Intel-based Mac systems when loading a preset made on an PowerPC-based Mac system;
Fixed Builder/Player button crash when no patch was loaded;
Fixed crash on polyphony change;
Fixed stuck Applescript dialog in Mac OS X installer;
Fixed optimization option on Mac OS X
Install Directions:
1) Unzip, Unrar and install
2) Use PC Keygen.exe to register
3) Enjoy
Download Here:
Password: ozmosis
Thanks to Team ArCADE

Sugar Bytes Sugar Bundle VST AU (7 Plugins) OSX UB

File Size: 66.5 MB
Consequence - The Chord Synquencer. Innovative combination of a chord based stepsequencer with a powerful sound engine.
Effectrix - The Effect Sequencer. Create grooving sound mutations and unheard breakbeats with this innovative tool!
Artillery2 - The Effect Keyboard. MIDI controlled Multi FX with a lot of algorithms and super versatile modulation. The number one performance effect.
Unique - The special synth with that supermighty sound. Includes juicy vowel filtering, crazy modulation possibilities, two multi effects and a lot of new thinking.
WOW - The talking Filterbox. 10 innovative first class sounding filters, with VOWEL MODE and versatile modulation system.
Vogue - The ultimate Channel Strip. Gives your records the touch of expensive hardware devices, signals appear shiny and with more presence immediately and receive the final polish from first class virtual analog processors like Gate, Preamp, Overdrive, Compressor, Dynamic EQ, Multimode Filter, Delay and Reverb.
Robotronic - The Super Vocoder. Crispy Sound, easy to handle and packed with features like Channel Strips, Sampler, Synthesizer, Eq, Compressor and Multieffect.
Read RTF file for install instructions.
[k]'d by The One Byte Wonder
*Instruments Library not included with Consequence.
Consequence v1.0 + SN
WOW v1.0 + SN
Artillery2 v2.0.6 + SN
Effectrix v1.2 + SN
Robotronic v1.2 + SN
Unique v1.0.3 + SN
Vogue v1.2 + SN
Download Here:
Password: ozmosis

Friday, 13 November 2009

Quantum Leap Voices of the Apocalypse-kontakt

Voices of the Apocalypse sounds nothing like any other choir library you've ever heard, because the producer fearlessly went after the full spectrum of a Wagneresque choir. He chromatically sampled a 3 octave range of both men and women in a fabulous sounding hall. Everything from Angelic to downright evil!

Mens Choir -
Ah, oo, ee, oh, eh, ih, uh, mm, all chromatically sampled with a three octave range. Straight tone and heavy vibrato cross-faded with the mod wheel for extremely expressive performances. Release samples of the hall for every sample. Cross-fade patches between every vowel. Slow attack ambient patches as well as fast attack crisp patches. Cromatically sampled pitched consonants, and pitchless consonants. True word building capability. Effects.

Womens Choir -
Ah, oo, ee, oh, eh, ih, uh, mm, all chromatically sampled with a three octave range. Straight tone and heavy vibrato cross-faded with the mod wheel for extremely expressive performances. Release samples of the hall for every sample. Cross-fade patches between every vowel. Slow attack ambient patches as well as fast attack crisp patches. Cromatically sampled pitched consonants, and pitchless consonants. True word building capability. Effects.

Angels Choir -
A smaller group of women singing oo and oh straight tone and ah and oh vibrato. Beautiful.

Demons Choir (NEW!)-
8 monks singing oh straight tone and vowel shuffling demon tones cross-faded with the mod wheel. Stunning!

Brought to you by.............qwest

Thursday, 12 November 2009

Threaded Mode | Linear Mode Tone2 Gladiator VSTi 2.0

Linear Mode Tone2 Gladiator VSTi 2.0

Gladiator is a powerful synthesizer based on the concept of Advanced Harmonic Content Morphing (HCM) Synthesis. It supports an extensive list of synthesis types: Harmonic Content Morphing (HCM3), Frequency Modulation (FM), Amplitude Modulation (AM), Phase Distortion (PD), Pulse Width Modulation (PWM), Phase Modulation (PM), oscillator sync, wave shaping, supersaw, resynthesis sounds, vocoding, additive and sample playback modes.

* Huge sonic range: unique, analog, warm, transparent and fat sound.
* Low CPU usage.
* Semi-modular: flexible and expandable.
* Over 1,000 presets.
* Real stereo, Dolby Prologic II encoding.
* Up to 18 oscillators per voice; 4x stereo unison.
* 110 different oscillator types with 36,865 waveforms.
* Alias-free: 162x oversampling.
* Psychoacoustical processing.
* 41 unique filters (Analog, vocal, comb, Moog, phaser, EQ, etc.).
* 20 different effects.
* 7 distortion types with a warm, analog sound.
* Programmable arpeggiator, step LFO and trance-gate.
* BPM syncable.
* IQM for clearer chords (intelligent microtuning).


Sunday, 8 November 2009

izotope pHATmatik PRO v 1_52

izotope pHATmatik PRO v 1_52

pHATmatik PRO allows you to break an audio file into rhythmic slices and manipulate those slices
individually by applying filter, pitch and volume modulation. From there you can loop, rearrange, or play the slices with your MIDI keyboard.

That's just the beginning
Once your loop is loaded into pHATmatik PRO, it becomes an expressive instrument in its own right. Love the sound of the original groove, but the timing isn't quite right? Change it. Quickly, seamlessly, and without effort. Use the groove of one loop to trigger the samples of another. Create entirely new grooves from stale loop libraries that you thought would never again see the light of day. pHATmatik PRO picks up where your DAW leaves off: instead of just playing back a loop as static audio, pHATmatik PRO lets you play your loop like an instrument. Create fills, breakdowns, or completely new grooves from your loops.


IZotope Alloy v1.0.1 VST RTAS MAS AU MAC OSX UB

File Size: 18 MB
Release Notes
The world of DAWs doesn't need another channel strip. What it needs is a better way of working with the essential tools you need for all of your tracks and busses. That's why we designed Alloy. Alloy provides the key dynamics and sound shaping effects youÆll use again and again, in a self-contained and completely configurable interface. Add iZotope Alloy to your tracks and busses and bring them to life with six processors designed to add character to every element of your mix. Alloy gives you exceptional sound quality, vintage emulation balanced with digital precision, time-saving presets and workflow features, and a forward-thinking interface that puts just the controls you need at your fingertips.
Six precision tools for mixing in one integrated system : Equalizer, Dynamics, Exciter, De-Esser, Transient Shaper and Limiter
Load one plug-in for all of the essential EQ, dynamics and sound-shaping effects you need on your tracks and busses. Save custom presets and effect chains to suit any need
Phase Tools panel includes phase invert controls, and a zero-latency phase rotation control to improve waveform symmetry
Easy to navigate, forward-thinking UI with precise controls and extensive visual feedback for setting modules
All modules feature useful meters that give you essential feedback for setting controls.
Zero-latency mode prevents sync problems in hosts like Pro Tools LE
Completely user-customizable signal routing with two dynamics stages, sidechain mapping and more
Dynamics, Exciter and Transient Shaper have both single and multi-band operation, giving you more simplicity or more control depending on the task at hand
Includes a huge range of presets that range from simple and useful EQ and Dynamics configurations to complex chains that use all six modules
MacroPresets combine key controls from any combination of Alloy's six modules into a custom UI that shows just what you need to see
Sidechaining support for VST, AU, RTAS, MAS and DirectX hosts lets you control the Dynamics section from other tracks in your mix. Affect the whole signal or zero in on just the frequency range you want with advanced multiband sidechaining
Crosschaining allows you to trigger the dynamics section with another frequency band of the same input source for never-heard-before compression and gating effects
Powerful workflow tools make your life simpler -- the History list lets you go back in time, and the integrated preset editor lets you browse, manage and customize presets easily
System Requirements:
Mac OS X 10.4 or later (Universal Binary)
Formats: Plug-ins: Pro Tools 7+ (RTAS/ AudioSuite), VST, Audio Unit, MAS, DirectX
Thanks to Team DYNAMiCS
Note: Special thanks to Team BEAT that created the KeyGen for this release.
Installation Notes
Unpack, install.
Use PC KeyGen to register.
Download Here:

Password: ozmosis

Wave Arts Master Restoration Suite 5.49 Mac OSX UB

File Size: 42.5 MB
Wave Arts announces the 5.49 update for all Wave Arts plug-ins that are part of Power Suite 5 and Master Restoration Suite. This update features official Snow Leopard support on Mac and a number of other fixes and enhancements.
Improvements :
• (Mac) Snow Leopard compatible (fixed graphics glitch)
• fixed RTAS/AudioSuite window bugs (wrong offset, controls behaving strangely if RTAS/AS window open at same time)
• fixed problem with TrackPlug menus sometimes not visible
• fixed TrackPlug Height knob not reverting to default value properly on certain bands
• fixed Mac installer issue (running it the first time would result in Resource Not Found error)
• fixed occasional graphics glitch in MultiDyanamics in which hi/lo arrows appear above frequency display
• fixed pops in MAS versions when using pre-render mode or bouncing
• fixed issue with vintage RMS compression causing constant attenuation for thresholds below -48 dB
• added peak input/attenuation level displays in TrackPlug
*You will need a previous version of 5.0 up to 5.47 installed or the new update will ask for a serial#
Download Here:
Password: ozmosis

Wave Arts Power Suite 5.49 Mac OSX UB

File Size 33.5 MB
Our critically acclaimed audio plug-ins are now the top of their class, featuring outstanding sound quality, exceptional CPU efficiency, stunning visual interface design, world class customer support, and tremendous value for the money.
These new v5 plug-ins cover the essential aspects of sound design,tracking, mixing and mastering. They are available in various bundle configurations and individually, so you can choose the combination that best suits your audio needs.
Power Suite consists of the following plug-ins:
TrackPlug 5.49 The ultimate channel strip plug-in
MasterVerb 5.49 Silky smooth multi-algorithm reverb
FinalPlug 5.49 Professional peak limiter and volume maximizer
MultiDynamics 5.49 Powerful multi-band dynamics control
Panorama 5.49 Go beyond the limitations of conventional stereo, without
using a surround system!
This update features official Snow Leopard support on Mac and a number of other fixes and enhancements.
New Features
* (Mac) Snow Leopard compatible (fixed graphics glitch)
* fixed problem with TrackPlug menus sometimes not working
* fixed TrackPlug Height knob not reverting to default value properly on certain bands
* fixed Mac installer issue (running it the first time would result in Resource Not Found error)
* fixed occasional graphics glitch in MultiDyanamics in which hi/lo arrows appear above frequency display
* fixed pops in MAS versions when using pre-render mode or bouncing
* fixed RTAS/AudioSuite window bugs (wrong offset, controls behaving strangely if RTAS/AS window open at same time)
* fixed issue with vintage RMS compression causing constant attenuation for thresholds below -48 dB
* added peak input/attenuation level displays in TrackPlug
*You will need a previous version of 5.0 up to 5.47 installed or the new update will ask for a serial#
Download Here:
Password: ozmosis

Thursday, 5 November 2009

Plug-In Conspiracy Saturator v1.0 VST

Plug-In Conspiracy Saturator v1.0 VST

The Saturator increases the perceived loudness, warmth and harmonic content of the audio material by applying a smooth non-linear characteristic. It can be used to maximize or inflate a mix or to simply increase the impact and punch of single tracks.

Gain: The Gain knob sets the strength of the effect. In its highest gain setting the Saturator works like a limiter – meaning, that regardless of how much signal is driven into it, the output will never exceed full scale.

Mode: The saturator comes with two different modes. While in ‘Smooth’ mode, the Saturator keeps the audible distortion at a minimum. The ‘Sharp’ mode on the other hand creates more harmonics by using a more aggressive shape for the non-linearity. It therefore gives a little more ‘bite’.
no pass

Gsi.Shakepad.VST.09061101-peace-out (pc-only)

Gsi.Shakepad.VST.09061101-peace-out (pc-only)
This is def. a "BUY if you like it" case, IMHO. Their prices are so low and their products so good


Monday, 2 November 2009

Novation V-Station 1.5.1 + SN# Mac OSX UB

NOTE: This fix causes patches made on older versions of V-Station VST to load incorrectly, consequently a new 'legacy mode' option has been added to the global options page. If you are loading a patch created on an older version of V-Station then set 'legacy mode' to 'on'.
Changes in This Version:
- VST parameters with 0 centred range now normalized.
- AU presets saved with patch number 356 or above now recalled correctly (settings and sessions saved by the new version, with a current preset number of 356 or above will not be loadable with older versions of v-station).
- Improved rotary pot control behaviour.
- Fixed bug in saving of env trigger states.
- Knobs can now be reset by ctrl-clicking (so can be reset when pot ctrl set to rotary) as well as double-clicking.
- V-Station now authorizes correctly in Digital Performer on Intel Macs.
- Fixed crash caused by frozen V-Station tracks in Logic.
- V-Station GUI now appears correctly when Automap-wrapped version is loaded in Logic.
- Fixed crash caused by holding note past loopback point with an arpeggiated patch in Logic.
- Arpeggiator now triggers correctly at start of playback.
- Patch rename window no longer appears behind plug-in window in Live (Mac VST version only).
- Fixed crash when using V-Station in Windows on a computer with a hyperthreading processor.
Download Here:
Password: ozmosis

Artificial Audio Obelisk v1.0.2 VST AU MAC OSX UB

File Size: 5.5 MB
Release Notes:
OBELISK is a spectral multi effect whose sound possibilities and graphic user interface raise the area of spectral sound processing to a completely new level. OBELISK combines a SPECTRAL DELAY, a SPECTRAL FILTER and a SPECTRAL GATE to a multi effect that not only sounds excellent but also enables an extremely intuitive and musical operation, in spite of hundreds of effect parameters. With OBELISK you can draw your effect and with the aid of graphic lines control a multitude of effect parameters in a very simple and descriptive manner. With its 2-dimensional LFOs, OBELISK creates completely innovative modulation possibilities by means of which the processed signal transforms into an endlessly changing sound layer. In spite of the comprehensive possibilities it provides for sound processing and modulation, OBELISK requires very little computing power, thanks to its high performing vector algorithms. Features: SPECTRAL ANALYSIS / SYNTHESIS
* high quality spectral analysis and synthesis ( 256 or 512 frequency bands )
* adjustable frame size and overlap
* multiple window functions : rectangle, triangle, Hanning, Hamming, Blackman
* arbitrary sample rates up to 192 KHz
* realtime spectrum analyzer with hold function
* selectable analyzer sources : input signal / effect signal / output signal
* individual delay with feedback for every single frequency band
* 10 delay points to define the delay line
* 10 feedback points to define the feedback line
* different line styles : polygon / square
* delay points can be quantized to sync the delay times to the song tempo
* selectable sync tempo : external / internal
* beat grid for quantize positions
* RESCUE switch to clear the feedback buffer
* individual gain parameter for every single frequency band
* 10 filter points to define the filter line
* different line styles : polygon / square
* filter force parameter for smooth or hard filter action
* individual noise gate for every single frequency band
* 10 gate points to define the gate line to adjust the gate thresholds
* different line styles : polygon / square
* global attack time and release time parameters
* mono / stereo switch to link the gate ( left / right ) in 2 channel mode
* shift of frequency bands between analysis and synthesis ( +/- 64 bands )
* 3 LFOs to create 2-dimensional point movements
* independent x- and y-axis parameters
* snap function to lock the LFO start to a fixed song position
* LFOs can be synchronized to the song tempo ( from 1/16 note up to 8 bars )
* LEARN MODE for easy modulation target assignment
* 5 modulation targets per LFO
* information display for every parameter control
* 50 step undo / redo for all point line parameter changes
* all parameters can be fully automated by the host sequencer
Mac OSX 10.4 or higher
1 GHz CPU of faster
Universal Binary - works on PowerPC or Intel
What's new in OBELISK MAC 1.0.2:
* parameter names are now shown in vst hosts correctly
Install Notes:
Unpack, Install, Enjoy.
Download Here:
Password: ozmosis

Omnisphere Patch Library 1.0.4 Update Mac OSX

Spectrasonics has released version 1.0.4 of the Patch Library for Omnisphere, the psychoacoustic virtual synthesizer for PC and Mac.
Changes in Omnisphere Patch Library v1.0.4
* Installs Omnisphere Patch Library 1.0.4
* Fixes for broken patches and multis
* Latest factory default multis
Download Here:
Password: ozmosis