Welcome to the Audio Pirates library of goodies
Here you will find a whole archive of links to Audio Production Software, VST, DX, RTAS & AU instruments & Effects, as well as links to other useful software.
You will also find audio links here too, including breaks & samples, a capellas, DJ/radio mixes, albums, compilations and cool music videos.


Everything on here is from links I've found on the web, i haven't uploaded any of this stuff myself.
I have tested and do use some of this stuff but not all of it, its a good idea to scan anything you download before using it just to be safe :)
The stuff here is intended as 'try before you buy', if you like this stuff please buy it, if not... delete.

Independent Music Network

Independent Music Network
Http:// ---- Http://

Saturday, 31 October 2009

DirectGuitar v.2.1 (for Kontakt)

Pettinhouse has released version 2.1 of DirectGuitar, an innovative 9Gb electric guitar sample library for NI Kontakt 2-3 direct recorded for amp simulator.

DirectGuitar 2.1 introduces three new articulations:

2.Tapping Maj scale.
3.Unison Bends.

Brought to you by................Oltos


Synthesis Ignited

Combining power, elegance, control, and unbeatable sounds, Rapture is one of the most exciting synthesizers to hit the market in years. Capable of producing rich, hypnotic, and rhythmic basses, leads, and pads, Rapture is perfect for performing and designing the modern synthesized sounds igniting today’s pop, dance, and electronic music.

Rapture's non-aliasing resampling engine technology sets a new standard for sound quality, and produces pristine, high-resolution rendering and playback. Its advanced modulation capabilities include over 40 Step Generators per patch, providing an intuitive interface for generating rhythmic sequences.

With its beautifully designed interface and extensive sound manipulation capabilities, Rapture is capable of producing the rich, hypnotic, and rhythmic basses, leads, and pads destined to put the spirit back into your music.

Friday, 30 October 2009

D16 Group Toraverb VST AU v1.0.1 MAC OSX UB

File Size: 9.4 MB
WORKING NOTE: previous patched release by other group crashes after longer usage.
When creating Toraverb, we did not base it on any current reverb unit available in the market. We did not implement any ôoff-the-shelfö algorithm. Toraverb is not a classic type reverb unit like spring, room, hall or plate. Toraverb is a concept algorithm reverb. Using a set of easily accessible parameters, it allows the user to create practically ANY type of reverb.
Our goal was to create a reverb which would sound pleasant to the listener and the output could be tweaked in many different ways by the user.
Critical effect in any studio
Reverb is a critical effect in a mix. Final results depend on the reverb algorithm used and the quality of the implementation. Usually reverb is used as a send effect in which many channels in a mix are routed to it. If a low quality plug-in or hardware unit is used, the end results can sound very disappointing with the reverb tail sounding like it had been ôripped-offö in the mix.
High quality of diffusion
In Toraverb, we applied diffusing algorithms of the highest possible quality based on modified all-pass filters. By doing this and using properly tuned parameters, we can almost entirely eliminate unwanted flutter echo effects for every sound source.
Separate equalisation for early and late reflections
Toraverb is equipped with two independent, single band, fully parametric equalisers. One is used to EQ early reflections and the other to EQ late reflections. This is an incredibly useful feature which allows a lot of control over the character of the reverb to give the most natural sound.
Modulated tail
Toraverb also has an additional modulation parameter which affects the diffusing filters. These are responsible for the distribution of the sound waves reflections in time. By changing the modulation, the sound of the reverb tail can be altered to give a more realistic effect of sound propagation.
Spatial reflections
To give a better impression of physical space, we have added an innovative spatial reflection algorithm to Toraverb. It improves spatial reflections by allowing cross-talking of reflected stereo waves between stereo channels. This models what happens in the real world when a sound audible only in the left ear is reflected and is heard in both ears.
Toraverb is a very versatile reverb unit. The high sound quality, flexible sound shaping capabilities and ease of use will be appreciated by every producer and sound engineer. Try it out! We know you will love it!
Full Features
high quality of diffusion algorithm
modulated tail
cross-talking spatial reflections
early and late reflections equalization
presets organised into groups
midi learn function
64bit internal processing
Developer's Website:

Install Directions:
1) Unzip, Unrar and install
2) Check \ArCADE dir
3) Enjoy
Download Here:

Password: ozmosis

Native Instruments KORE Line: The Finger MAC OSX UB

File Size: 13.3 MB
THE FINGER provides more than 40 effects including real-time samplers/transformers (e.g. loop, re-arrange, reverse, scratch, heavy granular effects etc.), as well as filters, gaters, delays, reverbs, distortion, wave shapers, ring modulation and many others. Each effect has two parameters controlled by velocity or mod wheel, and is tempo-synced to a master clock or the tempo of your audio host. The KORE PLAYER user interface allows for even further tweaking via the Macro Controls.
The main advantage of THE FINGER is the ability to trigger effects via MIDI keyboard (or the "piano roll" in a sequencer). Four octaves of MIDI notes have a specific effect per sound with their own settings assigned to each. The order you trigger the notes is the order the effects get layered in, so chains can be arranged and re-arranged in no time. Make the last key a loop effect, and you can continue the chain from there, endlessly. This allows you to "play" and improvise with effects just like with a "real" instrument. When used within a host sequencer as an effects plug-in, you can record your playing as MIDI in the piano roll editor allowing to edit your effect chains in a much simpler way.
The potential for creative audio mayhem is pretty much inexhaustible, and it has never been more fun - that is the power of THE FINGER.
Besides the possibility to use THE FINGER out of the box (with the free KORE PLAYER or KORE 2), it can also be loaded into REAKTOR 5, where an individual user interface is available allowing you to setup custom effects to any MIDI note
Thanks to Team ArCADE
Developer's Site:
Install Directions:
1) Unzip, Unrar and install
2) Register with sn# inside . nfo file
3) Enjoy
Download Here:
Password: ozmosis

Thursday, 29 October 2009

SonicFire Pro v5.1.2 Scoring Network Edition

File Size: 208 MB
Release Description:
Experience the creative power of turning the best library music into a fully-customized music score.
Sonicfire Pro 5 Scoring Edition offers the most innovative set of features for adding high-impact music to any type of project.
Its familiar timeline interface and intuitive access to SmartSound's patented music editing features make it immediately rewarding for video and audio editors alike.
Just unpack & install.
Register with the serial in serial.txt.
Download Here:

Password: ozmosis

GMedia Oddity 1.2.0 + SN# MAC OSX UB

The Oddity is modeled on the classic ARP Odyssey synthesizer which was manufactured between 1971 & 1976 and used by artists as diverse as Gary Numan, John Foxx, Herbie Hancock, Kraftwerk and Portishead. Its place in synth folklore is assured and well-deserved, but due to the small numbers produced, the chances of finding one in good working order nowadays for less than a king's ransom is slim.
The Oddity takes all that was unique and great about this instrument and thanks to a painstaking emulative process brings these qualities into the 21st century. Now you can finally have those famous Odyssey tones and the exclusive ARP operational method married to reliable tuning, non-breakable sliders and, something only dreamed about in the 1970's.....patch memories.
In fact the Oddity takes the ability to store patches one step further and allows you to morph between any two of the saved patches within a bank. Simply pick a start patch, a morph-time and a destination patch, and the Oddity will output some amazing and inspirational sounds all of which can be recorded by your host sequencer for subsequent playback. Additionally the Oddity has a unique Flying Slider feature whereby you can grab one or more sliders and throw them, recording their movements if desired.
Of course, because The Oddity was created by Odyssey aficionados much of what gave the original instrument its character and functionality was built-in too. For example, the way the ring modulator and duophonic mode interact to create sublime aggressive tones was carefully modeled, as was the effect the Lag Generator has on a keyboard triggered LFO.
The Minimum System Requirements are as follows:
* Macintosh PowerMac G4 with 128MB RAM or IntelMac
* OS X 10.4.x
* VST 2.0, RTAS, or Audio Unit compatible host application for plug-in operation
Download Here:
Password: ozmosis

SonicCharge Synplant 1.0.1 +SN Mac OSX U

File Size: 5.9 MB
Synplant is a software synthesizer with a genetic approach to sound creation. Instead of creating patches the conventional way by turning dials and knobs, Synplant lets you explore a world of organic sounds by planting seeds that grow into synth patches.
Once you are ready to get your hands dirty and dig deeper into the anatomy of Synplant you will have the option to crack open your sound seeds and modify their underlying genetic code.
The purpose of this product is to move focus away from the sometimes intricate and difficult process of sound synthesis and instead let you develop sounds by simply using your ears. You will find that creating synth patches with Synplant will be as easy as listening and deciding what you like and then having the sounds evolve in the directions you desire.
Developer's Site:
Although Synplant is exceedingly easy to use, whatever you do, do not let its relative simplicity fool you. Beneath its straightforward and playful interface you will find a versatile synthesizer of the utmost quality with lots of character.
Download Here:
Password: ozmosis

Vember Audio SURGE v1.5.3 VSTi AU MAC OSX UB

File Size: 20.8 MB
Developer's Website:
[b]Binary is beautiful[/b]
A digital recording is just a sequence of numbers. Easily quantifiable as ones and zeros, stored on physical media, combined together into larger numbers to form a continuous stream of data. Surge - Digital and proud of itUntil you listen to it. Then it becomes real. Surge is an instrument capable of generating truly beautiful sequences of numbers. Your ears will agree with us.
More than the sum of its parts
Architecturally speaking, Surge is a rather complex synthesizer. But because of how it's put together it's still easy to learn. Once you do, you will turn the sounds in your head to audio faster than ever. The effortless workflow, attention to detail and the sound quality can't really be appreciated without trying it yourself.
* Synthesis method: Subtractive hybrid
* Each patch contain two 'scenes' which are seperate instances of the enitre synthesis engine (except effects) that can be used for layering or split patches.
* Quick category-based patch-browser
* Future proof, comes as both a 32 & 64-bit VST plugin (Windows PC)
* Universal Binary for both VST and AU (Mac)
Factory sounds
* 1010 patches
* 183 wavetables
* 3 oscillators/voice
* 8 versatile oscillator algorithms: Classic, Sine, Wavetable, Window, FM2, FM3, S/H Noise and Audio-input
* The classic oscillator is a morphable pulse/saw/dualsaw oscillator with a sub-oscillator and self-sync.
* The FM2/FM3 oscillators consists of a 1 carrier with 2/3 modulators and various options.
* Most algorithms (except FM2, FM3, Sine and Audio-input) offer up to 16-voice unison at the oscillator level.
* Oscillator FM/ringmodulation
* Most oscillator algorithms (except FM2/FM3) are strictly band- limited yet still cover the entire audible spectrum, delivering a clear punchy yet clean sound.
* Noise generator with variable spectrum.
* Visual feedback of k
* Two filter-units with arrangeable in 8 different configurations
* Feedback loop (number of variations inside the parenthesis)
* Available filter-algorithms: LP12 (3), LP24 (3), LP24L (1-4 poles), HP12 (3), HP24 (3), BP (4), Notch (2), Comb (4), [b]S&H[/b]
* Filters can self-oscillate (with excitation) and respond amazingly fast to cutoff frequency changes.
* Waveshaper (5 shapes)
* 12 LFO-units available to each voice (6 are running on each voice and 6 are shared for the scene)
* DAHDSR envelope generators on every LFO-unit
* 7 deformable LFO-waveforms + 1 drawable/step sequencer waveform
* LFO1 allows envelope retriggering when used as step sequencer
* Extremely fast and flexible modulation routing. Almost every continuous parameter can be modulated.
* 8 effect units arranged as 2 inserts/scene, 2 sends and 2 master effects
* 10 top-quality algorithms: Delay, Reverb, Chorus, Phaser, EQ, Distortion, Conditioner (EQ, stereo-image control & limiter), Rotary speaker, Frequency shifter, Vocoder
System Requirements:
* Requires Mac OS X v.10.3.9 or later.
* Any Intel Mac or a PowerPC Mac with a 1GHz G4/G5 or faster CPU
* 256 MB RAM
* An AU or VST2.4-compatible Host application
Version 1.5.3 notes:
- OSX AU: fixed bug that prevented surge from passing the AUVAL tool in snow leopard. As a result, it wouldn't load in Logic.
- OSX VST: fixed crash caused by snow leopard no longer allowed setting the SSE control register directly.
Install Notes:
Unpack, Install Enjoy.
Download Here:
Password: ozmosis

AudioRealism BaseLine Pro v1.1.4 VSTi AU MAC OSX UB

File Size: 7.1 MB
Thanks to Team DYNAMiCS
Developers Site:
In Performance ABL Pro is mainly designed to be used as monophonic sequenced type of instrument. However it can be played polyphonically, or polyphonically sequenced. The instrument comes with a variety of patches: sequenced, polyphonic, monophonic, fx, etc.
CV Routing Most modules send or accept control voltage (CV) which means the signal path can be modified in real time without any glitches in the audio. Sequencer has CV Gate/Note output and can be used when playing ABL Pro in Note mode, monophonic- or polyphonically.
AUX signal processing ABL Pro can process external signals, for example through its filter. The AUX envelope follower outputs CV which allows you to patch up interesting effects. Even limiter and compression type of effects can be achieved.
Excellent VCF The instrument contains an excellent self oscillating filter with tracking and filter modulation from oscillators, and has a 22kHz range (at 44.1kHz sampling rate).
Tight Envelopes The envelopes are extremely snappy and evaluated every sample, no approximations here.
Key features:
* 2 (+1) Oscillators with sawtooth, squarewave, pulse, triangle and sinus waveforms
* Sync and ring modulation between oscillators
* Noise generator with variable color
* 2 ADSR envelopes
* Full range oscillators with no aliasing
* Non-linear filter with self oscillation and VCF tracking
* Modulation generator with audio rate frequency (can be used as third oscillator)
* Can be used to process external signals, for example through the VCF
* Stereo Delay unit with modulatable delay time (left & right)
* 32-voice polyphonic mode
* Patch cable system allows additional CV routing
* 500+ preset patches and sequences
Synth specifications:
* 2 Voltage controlled oscillators
* 1 Voltage controlled noise generator
* 1 Modulation Generator with Audio Output, which can be used as 3rd VCO
* 1 Voltage controlled filter (3 filter types, 18dB, 24dBSO and 24dBSO 2xoversampled)
* 2 Envelope generators (Main envelope generator and volume envelope generator), with voltage control
* Oscillation operator unit (ring and sync between oscillators)
* 1 Envelope follower for AUX signals
* 1 Stereo delay with voltage controlled delay times
* 2 Inverter modules
* 2 Attenuators, one with lag output
Sequencer specifications:
* 1 Sequencer with CV Note/Gate output and gate outputs for Slide and Accent
* 7 octave range
* 64 steps x 128 patterns
* Effects per step: Accent, Slide, Transpose up & down
* Prescale per pattern: 1/16, 1/32, 1/16T and 1/8T
Many of the features from ABL are still there:
* Internal pattern sequencer
* User skinnable
* Full MIDI CC control with learning function
* Rebirth pattern import
* Freebee pattern import/export
* Two MIDI modes (Pattern and Note)
System Requirements:
Mac OS X 10.3, G4 1 GHz, 256 Mb RAM or equivalen
Install Notes: Unpack, install Enjoy
Download Here:
Password: ozmosis

Tuesday, 27 October 2009



Voxformer is a multi-functional vocal channel strip plug-in for professional audio applications. Combining several professional quality processing modules, Voxformer was designed to be a comprehensive solution for all your vocal processing needs – be it spoken or sung vocals.

The coolest feature of Voxformer is its one-knob vocal compressor. Using only a single knob, you can get a tight, open and definitive professional vocal sound with an excellent articulation in no time. You do not have to worry about common ratio and make-up gain controls since they are automatically selected by the advanced compression algorithm while attack and release parameters are stored in a mode preset. Moreover, Voxformer features two compressors of this type, allowing you to apply either a two-band or a two-stage (serial) vocal compression. For two-band compression Voxformer splits the audio signal into two spectral parts, by means of a crossover filter.
Voxformer also features the de-esser with selectable center frequency and threshold. Multi-band noise gate is available, which, in a manner similar to the compressor, was designed to bring ease of tuning while providing excellent sonic results. For those who like a saturated vocal sound, Voxformer implements a special module which applies a smooth saturation. Another useful feature Voxformer has to offer is the presence boosting module, which you can use to add some shine and space to the vocals.
To simplify the control over these processing modules, Voxformer implements residue listening, which allows you to hear what gets removed during de-essing and noise gate operation, and what is being added by the presence module. Beside that, almost all modules offer “mode editor” panels where you can fine-tune specific module’s operation. In most cases this allows you to use Voxformer for processing of a wide range of instruments beside vocals.
As a finishing touch, Voxformer offers you a flexible easy-handling 5-band equalizer (pre/post selectable) with a real-time output stage fast Fourier transform (FFT) spectrum analyzer display. Each equalizer band can be switched to a parametric, low-shelf, high-shelf filtering mode, or a low-pass or high-pass mode of a selected steepness.
* Two built-in vocal compressors
* Two-band compressor operation
* Asymmetric compression
* 5-band equalizer
* Real-time FFT spectrum analyzer
* Noise gate (de-breath) module
* De-esser module
* Presence boosting module
* Saturation module
* Multi-channel processing
* Internal channel routing
* Channel grouping
* Mid/side processing
* Up to 8x oversampling
* 64-bit floating point processing
* Preset manager
* Undo/redo history
* A/B comparisons
* Contextual hint messages
Version 2.2, 01-jul-2009:
* Plug-in initial loading time reduced.
* Inability to enter negative filter gain values fixed.
* Gate band muting implemented.


Sunday, 25 October 2009

Steinberg Nuendo v4.3 Incl. Expansion Kit DVDR-AiRISO

Nuendo 4 - Advanced Audio and Post Production System

Delivering a next-generation audio production environment for
audio post, studio production and live recording, Nuendo 4
empowers audio professionals by elevating creativity and
productivity to new heights. Technologically advanced yet
extraordinarily intuitive and fully customizable, Nuendo 4
offers streamlined, precision tools that save time and boost
creativity for audio professionals in todayÆs media, recording
and film industries. Nuendo 4 provides scaleable, cross-platform
systems that integrate easily and fully with premiere components
by industry-leading plug-in and hardware manufacturers.
Steinberg technologies provide unprecedented power, flexibility
and speed, accelerating recording, mixing, editing and sound
design workflows to an unprecedented level.

State-of-the-art digital audio production environment

Crystal-clear 32-bit audio engine with full surround throughout

Faster, more efficient workflow with dedicated tools, options
and features

Complete set of next-generation VST3 surround effect plug-ins

Utilizes best available audio and computer hardware and plug
-ins, including Advanced Integration of Steinberg and Yamaha

Advanced new automation system for full control

Powerful Control Room integrates into any monitoring setup

Innovative Network Collaboration for multi-seat projects via LAN
or WAN

Full project exchange with other leading audio and video editing

Cross platform for latest Windows and Macintosh operating

Nuendo Expansion Kit - Cubase Music Tools for Nuendo

The Nuendo Expansion Kit (NEK) is an optional add-on package for
Nuendo 4. NEK contains special features for music composition
that are not part of Nuendo 4, a dedicated production
environment for post production. studio production and live
recording. NEK extends Nuendo 4 functionality by adding full
notation features, a Drum Editor for MIDI drums and four VST

Professional Notation and printing

MusicXML import and export

Drum Editor for MIDI drum parts

Four additional VST instruments: HALion One, Prologue, Spector
and Mystic

VST Sound Collection Vol. I

Advanced compatibility with Cubase 4 projects


Brought to you by........................Sp33dy 

Thursday, 22 October 2009

Attention forum members!!!

As of tonight the forums address will be changing from to

We are sorry for any inconvenience this may cause but it was unavoidable.

Please update your bookmarks/favorites to

Thanks for your patience,
Audio Pirate Staff

Tuesday, 20 October 2009


Cubase 5 - Advanced Music Production System

Cubase 5 comes with fully integrated new tools for working with
loops, beats and vocals, such as LoopMash and VariAudio,
combining with new composition features and the first VST3
convolution reverb to take musical creativity to new heights.
With stunning innovations and additional enhancements that boost
productivity and performance, Cubase 5 represents the absolute
cutting edge in digital audio workstations.

New Features in Cubase 5

Cubase 5 adds even more creative possibilities and new
technologies to the worldÆs premier music production software
developed by Steinberg ù providing the finest tools to
producers, composers and musicians in any musical genre.
VariAudio and PitchCorrect provide integrated intonation editing
for monophonic vocal recordings. Groove Agent ONE and Beat
Designer change the game for beat creation, while the
revolutionary LoopMash seamlessly blends loops, creating
unimaginable variations. VST Expression tools for composers
combine with the first VST3 convolution reverb and improved
automation for more dynamic mixes. And an array of additional
enhancements and 64-bit technologies boost performance ù all
designed to inspire further musical creativity and productivity.

Beat Creation and Loop Mangling

Cubase 5 features outstanding new tools for creating beats,
generating exciting new rhythms and working with loops.

Mash it up

LoopMash is a revolutionary virtual instrument that offers a
unique and innovative way of creatively working with loops and
beats to create stunning new rhythms and grooves. Seamlessly
blendable variations of both the included loops and any loop
from your library open up myriad new creative possibilities.
LoopMash is based on a new audio analysis/synthesis engine,
developed in collaboration with Yamaha, that matches similar
elements across loops and beats, generating fresh and inspiring
"mash-ups" from any rhythmic audio material.

* Brand-new, first-of-its-kind interactive loop synthesizer

* Creates entirely new and unique variations on the fly by
simply dragging existing loops from MediaBay or the Project
Window onto LoopMash

* Entirely synced to the Cubase Tempo

* Integrated editing tools and powerful live performance mode
with user-definable scenes

Drum sampling deluxe

Groove Agent ONE pairs powerful drum sampling with detailed
sound shaping ù seamlessly integrated into Cubase. Not only does
it boast sliced loop and MPC-import but rocks right out of the
box with its own custom library of only the finest acoustic,
urban, hip hop and dance drum kits! Each of its virtual pads
features a complete sound processing section that gives full
control of textures, timbres and expressive qualities of each
drum sound. Creation of custom kits with drag and drop from the
MediaBay allows an extremely fluid and easy workflow.

* Support for WAV, AIFF and the legendary MPC format

* Easy-to-use interface ù the perfect fusion of functionality
and simplicity

* Powerful editing section for each drum sound

* Automatically maps sliced Cubase audio parts or multiple audio
events across the pads by simply dragging them directly to
Groove Agent ONE

* Convert sliced audio loops to MIDI by dragging them back to a
MIDI track

Beat it!

Beat Designer is a hot new beat construction plug-in that allows
you to get hands-on with beats for step programming and
designing drum patterns in an easy yet powerful way, working
hand in hand with Groove Agent ONE. Getting really interactive
with different grooves and variations has never been easier:
Beat Designer organizes several patterns at once in customizable
banks and can trigger each of them in real time and synced to
Cubase with a MIDI keyboard.

* Supports up to 64 steps per pattern

* Customizable resolution and time signature

* Support for flam hits and rolls

* Individual volume settings for each element in a beat allowing
full control of the dynamics of any groove

* Comes with dozens of beats in various styles perfectly
matching the Groove Agent ONE kits

(PC Only)


Dongle EMU fix:

Cubase brought to you by: Sp33dy

Wednesday, 14 October 2009



Ableton Live is about making music; for composition, songwriting, recording, production, remixing and live performance. Live's nonlinear, intuitive flow, alongside powerful real-time editing and flexible performance options, make it a unique studio tool and a favorite with live performers. If you'd rather be "making music" than just "using music software," Ableton Live is for you. Live 8, the latest version, includes a wealth of new techniques and improvements with a new groove engine, revamped warping, live looping, new effects, crossfades in the Arrangement View and a reworked MIDI editor


Audio Restoration Redefined

iZotope RX™ is the most complete audio restoration product on the market, a unique standalone application designed from the ground up to combat a range of audio problems. In addition to unique workflow features designed to help you get the best results, RX's powerful tools can do processing that plug-in based restoration products simply cannot do. This paired with completely new processing technology results in cleaner, more natural sounding noise reduction and audio repair.

RX is ideal for audio restoration and archiving, recording and mastering, broadcasting and podcasting, video production, forensics, and any application that demands spotless results and a truly complete range of restoration tools

Friday, 9 October 2009



Reflect is an algorithmic reverberation plugin that combines the flexibility of vintage algorithmic reverbs with the sonic quality of convolution based reverbs. The creation of high quality reverb needs a realistic simulation of the important early reflections together with a smooth and colorless reverberation tail. The early reflections are the most important clue for the human ear to get a feeling about the dimension and character of a room. Most algorithmic reverbs offer a number of different algorithms to simulate different natural rooms like chamber, halls or artificial ones like plates.
Reflect uses impulse responses from real acoustic spaces and classical reverb algorithms to emulate their acoustical properties. VirSyn claims that the resulting reverberation sets new standards in clarity and sense of space.
■Algorithmic Reverb.
■Import of early reflections from impulse response files.
■50+ Factory reverb programs.
■4-band equalizer.
■Smooth reverb tail generation.
■Easy user interface "one page only".

AmpliTube Fender

The World's Most Influential Guitar and Bass Tones
Right On Your Desktop
AmpliTube Fender is the first and only official guitar/bass Amp and
FX software suite made by IK Multimedia in cooperation with legendary
music icon Fender Musical Instruments Corporation.
With a collection of 45 pieces of gear collected from the most sought
after classic and modern Fender« amps (including the '65 Twin Reverb,
'57 Deluxe, '59 Bassman LTD, '64 Vibroverb Custom, Super-Sonic,
Metalhead and many more), cabinets, stomp boxes and rack effects,
AmpliTube Fender sets a new standard for software amplifiers.
From guitar to bass, from Country to Blues and Rock, Punk to Metal,
whatever style you play, AmpliTube Fender is the only amp suite that
gives you the world's most influential guitar and bass tones right on
your desktop.
Standalone and plug-in software for all platforms
of the most influential guitar amps of all time
 original matching cabinets and 9 microphones
6 signature classic stomp effects and 6 rack effects
Incredible tonal flexibility: mix and match amps, cabinets, mics and
Sound-certified and approved by the tone gurus at Fender
more more more
Never before have you been able to get this close to the real thing on
your desktop.




SPECTRA 'Q™ provides the ability to adjust multi octave harmonics within an intuitive multi-band environment in two modes. Additional to these feature SPECTRA 'Q™ incorporates a vintage inspired 10-band EQ, look ahead transparent loudness maximizing with smooth peak limiting (based SPECTRA' PHY™ VST) and a 4-band low-frequency phase tweaking section.

SPECTRA 'Q™ Forte is to enhance specific areas of an instrument's or any audio materials frequency range. Improving overall balance of the harmonic presentation of music, instrument or vocals contributes significantly to it's clarity and richness. Coupling this ability is the inclusion of a vintage inspired EQ, novel transparent loudness maximization with smooth peak limiting and 4-band low-frequency phase tweaking in one package.
The comprehensive feature set of SPECTRA 'Q™ is intended and designed to empower audio professionals in the field of mastering and mixing music productions achieve great commercial release quality results quickly and easily. The scope and uniqueness of SPECTRA 'Q™ opens a myriad of possible uses not only in the mastering and mixing stages alone but also during live applications, enhancing vocals, guitar, keyboard, Virtual instrument recordings, AMP simulation, exciter, enhancer, vitalizer type effects.
SPECTRA 'Q™ main features
• Improve and fix overall balance of the harmonic presentation of music, instruments or vocals
• 10 Band Vintage Inspired Minimum phase EQ
• 10 Band Multi-Octave Harmonics Adjustment
• ExtremelyTransparent Look-Ahead loudness maximization with smooth peak limiting (SPECTRA' PHY™ technology.)
• 4 Band Low Frequency Phase Adjustment
• Linear or Impulse Harmonics modes
• EQ amount controllable by ratio
• All sections can be used separately
• Full automation for all parameters via the host
• Custom Presets
• Unique and Intuitive RMS Meters
• A/B Different modes
• Can also be used as an advanced Exciter, unique AMP simulator, Vintage EQ
• 64-bit internal precision
• 24bit/96Khz audio support
• Highly optimized custom DSP code
• and much more
• Harmonically balance a mix during Final Mastering
• Vitalize dynamics
• Add classic analog warmth or tube saturation effects
• Final mastering EQ, can be coupled with Harmonic enhancement
• Loudness maximization with transient preservation
• Enhance, clarify bass frequency sections
• Vintage Amp saturation type effects by increasing even order Harmonics
• and many more, as each section of spectra'q can be used separately and creatively


Thursday, 8 October 2009


Bidule The new standard in modular audio software. Is this a familiar picture? Cables lead from a microphone input into a small digital effect. More cables connect the effect to a mixer. Elsewhere, a MIDI cable links a MIDI input to a synthesizer, which is in turn connected to a mixer. Old hat, right? Now, imagine this: the same single output socket sprouting no less than eight different cables connecting eight different effects. It gets better: A sound is broken down into 256 individual bands, then each is tweaked one at a time in a unique way. As he performs, a musician decides to add an LFO to a synth's filter cutoff knob, where no LFO existed before. Sound crazy? Not anymore. The new paradigm of computer audio can be summed up in two words: "real-time" and "modular" – both of which are embodied by one application...

Brought to you by............6660666