AUDIO PIRATE

Welcome to the Audio Pirates library of goodies
Here you will find a whole archive of links to Audio Production Software, VST, DX, RTAS & AU instruments & Effects, as well as links to other useful software.
You will also find audio links here too, including breaks & samples, a capellas, DJ/radio mixes, albums, compilations and cool music videos.

Disclaimer

Everything on here is from links I've found on the web, i haven't uploaded any of this stuff myself.
I have tested and do use some of this stuff but not all of it, its a good idea to scan anything you download before using it just to be safe :)
The stuff here is intended as 'try before you buy', if you like this stuff please buy it, if not... delete.


Independent Music Network

Independent Music Network
Http:// SonicIndie.com ---- Http://sonicIndie.com

Wednesday, 30 April 2008

URS Plugins-AiR


URS Classic Console Strip Pro VST RTAS v1.0-AiR
Our Ultimate Multi-Console In the Box solution!
Create Hundreds of Custom Console Configurations
Here's your palette:

30 Selectable Input Stage Algorithms
60 Selectable Compressor/ Limiter starting points - Pre or Post EQ
5 Selectable EQ Algorithms for each Fully Sweepable Parametric band
Channel Filters - Pre or Post Compressor or Sidechainable
Powerful De-esser and Ducker and other included special effects
Interactive Signal Flow Display Section follows the signal path
Super DSP efficient URS Classic Console Strip version included

URS Classic Console Strip Pro VST RTAS v1.0-AiR
http://www.megaupload.com/?d=FK7VVF60
password: audiopirate.blogspot.com



URS Everything EQ Bundle VST RTAS TDM v5.0-AIR
&
URS Max Bundle VST Only Repack v1.0-AiR

URS A series - 4 band Parametric EQ
URS N series - 5 band Parametric EQ
URS S series - 6 band Parametric EQ
URS A-MIX EQ - 7 band Parametric EQ
URS N-MIX EQ - 7 band Parametric EQ
URS S-MIX EQ - 7 band Parametric EQ
URS A10 series - 10 band Graphic EQ
URS N12 series - 12 band Graphic EQ
URS BLT EQ - 2 band Program EQ
URS FullTec - 5 band Program EQ
URS 1970 Compressor Limiter
URS 1970 Compressor
URS 1975 Compressor Limiter
URS 1975 Compressor
URS 1980 Compressor Limiter
URS 1980 Compressor
URS Strip

URS Everything EQ Bundle VST RTAS TDM v5.0-AIR
http://www.megaupload.com/?d=FKKH4U2V
password: audiopirate.blogspot.com

URS Max Bundle VST Only Repack v1.0-AiR
http://www.megaupload.com/?d=DJDAO0ZX
password: audiopirate.blogspot.com


URS Presets For Protools (win & mac)

presets for: console strip pro, a series, a mix series, a10 series, n series, n mix series, n12 series, s series, s mix series, and fulltec.

on windows: place the tfx files in the dae plug in folder either in the digidesign/dae/plug in settings folder or the common files/digidesign/dae/plug in settings wherever the urs plugs are located. for mac basically the same

URS Presets For Protools
http://www.megaupload.com/?d=GSRL1LGH
password: audiopirate.blogspot.com

Cakewalk Vintage Channel VC-64 VST v1.0-ArCADE


Taking full advantage of SONAR’s internal 64-bit double precision
processing, VC-64 Vintage Channel offers the classic sound of sought
-after analog channel strips and dynamics processors.

Start with presets designed by professionals and hear the instant lift,
punch, and clarity VC-64 adds to vocals, drums, synths, and more. Dig
deeper with powerful sound-shaping features including double precision EQ
filtering, dual compression stages, de-esser, gate, and user-customizable
signal flow including internal side chaining.

Vintage Channel Features
------------------------

Numerous presets designed by audio engineering professionals take the
guesswork out of dialing in the perfect sound

Advanced Component Level Modeling (ACLM) by Kjaerhus Audio

Double precision internal processing and transparent communication with
SONAR’s mix engine

Multi-stage processing with up to ten selectable interconnection/routings

Serial and parallel compression and EQ stages

Two VCA/Opto mode compressors

Two 4-band parametric EQ’s with five high-quality filter types to ensure
accurate alteration of any part of the audio spectrum

Noise Gate with soft knee

Wideband de-esser

Zero latency—use it live while recording

Full automation

more info:
http://www.cakewalk.com/Products/SONAR/VC64.asp

Cakewalk Vintage Channel VC-64 VST v1.0-ArCADE
http://www.megaupload.com/?d=U0W9FVP5
password: audiopirate.blogspot.com

TPS Brass Section Module


Here is a VSTi that contains 24bit samples that will blow your ears out! The quality here is unmatched. Containing 32 HI QUALITY BRASS patches, TPS comes as a complete and non-HD-space-hogging VSTi that gives you all the sounds you need
to create a dynamic and realistic composition- including falls, stabs, quintets, "fat" sections, and legatos! All of this at 24 Bits(!)and it doesn't need your whole hard drive to store it's sounds & presets. Infact, some of the sounds are so lush and hi-quality you may feel as though you don't have to apply any EQ!

Note: Apparently this is banned freeware, i heard they had to stop distributing it because it uses samples from big name sample CD's and the graphics were ripped from an RCG:Audio synth

TPS Brass Section Module
http://www.megaupload.com/?d=Z75WEORZ
password: audiopirate.blogspot.com

Audiosyn BBD Echo-80 VST v1.1.5-PARADOX

Another Old Skool Release!!!

BBD Echo-80 faithfully emulates the workings of BBD (Bucket-Brigade Device) analogue delay-line FX. These include (but not limited to); Echo, Delay, Chorus, flange, Resonator, and reverb-type effects.

Features:

* 11 BBD "fixed-Stage" lengths (64->65536) with manual 50%- 200% offset. Delay time can be set from a fraction of a millisecond up to +13 seconds @ 48khz.
* Delay-line clock from 1000hz up to host audio rate (i.e. 44khz, 48khz, 96khz). Unlike hardware analogue delays, no compromise needs to be made between fidelity & delay-time. BBD Echo-80 can be as clean or dirty as you want it.
* Delay time modulation with 5 waveforms types (Sine, Tri, Ramp, Saw & Sample & Hold). LFO now syncable to host MIDI clock.
* Audio re-triggering of the LFO modulator (for all waveforms), with variable phase selection of the waveform cycle. A 2-pole BPF is also provided to isolate audio frequency used for triggering.
* 4 or 8-Pole low pass filter (post delay) with selectable resonant & non-resonant response. Resonant response allows self-oscillating feedback.
* 2-Pole high pass filter for less "muddy" sounding delay's (Pre-delay).
* "Loop" function, which infinitely loops whatever is in the delay buffer.
* Volume (Pre-gain) & Dry/wet mix controls.
* Analogue-style VU meter with pre & post db monitoring switch.
* LCD numeric display which displays current delay time (in ms.) or clock/sample rate (in Hz.).
* Hiss knob, which introduces white noise for a "more authentic" analogue FX sound.
* In-built help file. Just flick the "help" switch on, and moving the mouse cursor over any control displays information on it's function and use.
* Save up to 64 preset patches per bank. 11 built-in patches included.
* High & low resolution plug-ins for different screen resolutions. High resolution VST is optimized for 1280x1024 & higher.
* Low CPU usage.
Audiosyn BBD Echo-80 VST v1.1.5

MORE INFO @
www.audiosyn.com

Audiosyn BBD Echo-80 VST v1.1.5-PARADOX
http://www.megaupload.com/?d=1SYRT1D7

password: audiopirate.blogspot.com

Antares Microphone Modeler DX v1.32-H2O + Extra Mics Packs

Note: This plugin is now discontinued, you can only get it at places like these!!

More Info: http://www.antarestech.com/products/amm.shtml

IF YOU'VE SPENT ANY TIME LATELY flipping thorough the pages of pro-audio magazines, you've almost certainly noticed the intense focus on microphones. From the proliferation of exotic new mics to the almost cult-like following of certain historical classics, never has the choice been greater. Or the prices higher. A perfect time, in fact, for Antares to introduce our new Microphone Modeler. Using our patented Spectral Shaping Tool (TM) technology, we've created digital models of a wide variety of microphones, TEC 2001 Winnerfrom historical classics to modern exotics, as well as a selection ofindustry-standard workhorses. Simply tell the Microphone Modeler what microphone you are actually using andwhat microphone you'd like it to sound like. It's as simple as that.
Just Like Being There

Not only do the models reproduce sonic characteristics that make each microphone unique, but they also give you control of each mic's specific options. Key Buy AwardDoes the mic have a low cut filter? If so, it's in the model. Wind screen on or off? Close or far placement? Each option results in the same sonic effect that it would have with the actual modeled mic. And for that final touch of perfection, you can even add some tasty tube saturation. With the Microphone Modeler, you can afford to record every track through a model of the specific mic that will produce the ideal sound you're looking for. Or use it in live performance to get the sound of mics you'd never consider bringing on stage. You can even use it during mixdown to effectively change the mic on an already recorded track. And with the ability to download new models from our web site, the Microphone Modeler will always keep you at the forefront of the microphone art.

Extra mics packs contents:

* AKG SolidTube
* Audix SCX-one
* Shure Beta 58
* Soundelux U95S
* AEA R44C
* Audix CX-111
* Behringer XM8500
* Tannoy Large Ribbon
* Audix D-1
* CAD VSM1
* Neumann U89i
* Tannoy Small Ribbon
* Audix OM-6
* Brauner Valvet
* Oktava MK-219
* Beyerdynamic M500
* Electro-Voice RE55
* Neumann M147
* AKG C 535 EB
* Audio Technica AT4051
* Shure SM98A (no polar mod)
* AKG C 12 VR
* AKG C 12 VR (w)
* Neumann TLM 103
* AKG The Tube
* Earthworks QTC1
* Electro-Voice RE15
* Electro-Voice RE16
* Electro-Voice N-D868
* Marshall MXL 2001P
* AKG C414 EB
* Marshall MXL 2003
* Neumann KM 84

Antares Microphone Modeler DX v1.32-H2O
http://www.megaupload.com/?d=K71KL4TU
password: audiopirate.blogspot.com

Motion Samples - Shock Drums + Hip Hop Orchestra Stabs (WAV)

Shock Drums

Like those new Timbaland Drums? Then get the latest industry sounds with over 200 one shot samples of hard boom kicks, clanky snares, crunchy claps, dirty hats, effects and more. No matter what style of beats you make, if you want that hard edgy sound, these are the drums!

* Over 200 Drums
* 16 bit Wave

Motion Samples - Shock Drums (WAV)
http://www.megaupload.com/?d=LT3QL4U7
password: audiopirate.blogspot.com

Hip Hop Orchestra Stabs

This collection contains 266 orchestra stabs, chords, samples and melodies for users who like to program with samples. You don't have to be the best keyboardist with this one, just arrange them in your sampler and start playing single keys to make melody rifts. Mainly good for Hip Hop but
also great for Dirty South.

* 266 Stab Samples
* Orchestra Hits
* 16 bit Wav

Motion Samples - Hip Hop Orchestra Stabs (WAV)
http://www.megaupload.com/?d=Z6ZYWIDL
password: audiopirate.blogspot.com

Barrington Levy In Dub - The Lost Mixes from King Tubby's Studio

Barrington Levy In Dub
The Lost Mixes From King Tubby's Studios

Artist: Barrington Levy
Album: In Dub: The Lost Mixes From King Tubby's Studios
Label: Auralux / Uploader
Released: 2005
Style: Dub Reggae
Format: VBR MP3
Quality: 200-270 kbps, 44100 kHz, 16 bit, Stereo
Encoder: Lame 3.90

1.Shaolin Temple
2.Wedding Ring
3.Shine Eye Gal
4.Reggae Music
5.Black Heart Man
6.Looking My Love
7.Trod With Jah
8.A Yah We Deh
9.Why Did You Leave Me
10.Skylarking


Total playing Time: 32:12


Barrington Levy In Dub - The Lost Mixes from King Tubby's Studio
http://www.megaupload.com/?d=3YZNRR3G
password: audiopirate.blogspot.com

FXPansion.VST.to.RTAS.Adapter.v1.0.5-PARADOX

An older version of FXPansions VST to RTAS Adapter for those of you with older versions of Protools

If your using Protools 7, we have the newer VST to RTAS here.....
http://audiopirate.blogspot.com/2008/04/fxpansion-vst-adapters.html

FXPansion.VST.to.RTAS.Adapter.v1.0.5-PARADOX
http://www.megaupload.com/?d=B3VM20XS
password: audiopirate.blogspot.com

Tuesday, 22 April 2008

Schwa Oligarc VST Bundle - MP

Schwa has released Oligarc, a collection of four virtual analog FX, tied together by a modulation nerve center that converts the input audio into control signals that can be routed to most of the effect knobs. Oligarc can be an LFO-driven filter, an envelope-controlled phaser, a gate-triggered saturation effect, or anything else you can think up, including mad combinations of linked modulation of multiple effects at once.

In addition, the Oligarc package contains standalone versions of the Drive, Phaser, and Chorus effects, for more traditional usage - although there's nothing traditional about these effects.

Schwa Oligarc VST Bundle - MP
http://www.megaupload.com/?d=BO5KHJWF
password: audiopirate.blogspot.com

Audio Damage Dubstation 1.5 VST


The DubStation plug-in is modeled on the "bucket-brigade" style of vintage delay units, and has all the mojo that made those boxes great. Accurate down to the warm sound of the feedback loop and the low-fidelity character of the originals, DubStation is just what the (witch) doctor ordered.

Audio Damage Dubstation 1.5 VST
http://www.megaupload.com/?d=ECM2BE73
password: audiopirate.blogspot.com

SoundFonts it GS-201 Tape Echo v1.0 VST-AMPLiFY


Tape echo effects were invented towards the end of the fifties. Presumably the very first tape echo machine was invented by Charlie Watkins of London, England, in 1958. It was based on a small loop of 1/4" tape onto which audio was recorded by a magnetic head and then read by three separated heads. What was read from the tape was amplified by the internal all-valve circuit and eventually recorded back to the tape, creating the feedback or "sustaining" echo effect. The delay time of the unit was determined by distance of the write head from the read heads, in conjunction with the speed of the tape. Many manufacturers of this era produced their versions of echo machines, mostly based on the magnetic tape system. The famous Binson Echorec was based on a circular drum head with a metallic magnetic stripe. It was used by Pink Floyd at the time of their album "Echoes". Another famous tape echo machine was the Maestro Echoplex, heavily used by pianist Herbie Hancock. Other notable units were the Selmer TruVoice Echo, the Dynacord Echocord, along one of the most famous and widely used from 1973 to present day: the Roland RE-201. This particular model has a tape loop about 4 meters long which is recorded, read and erased continuously. It consists of one erase head, one write head and three pick-up heads, which when combined with the variable speed DC capstan motor allows many different delay configurations. This machine also offers a reverberation effect based on a spring reverb tank. The combination of echo and reverb gives an "ethereal" ambience effect which eventually inspired the engineers so to name it "Space Echo".
Nowadays these machines are very sought after but quite rare to find on the market, and their evaluation increases year after year. There are many aspects that make the tape echo stand out from a modern digital delay. Here are a few of the main features:
1) the unpredictability. A capstan motor is never perfect like a digital clock signal, resulting in slight variations of the delay times and pitched sound.
2) the frequency response and dynamic range. A magnetic tape is not as clean and flat as a digital recording. Especially a loop of tape which is cyclically erased and re-recorded many times in a short time lapse.
3) noise, hum, distortion. Defects that a digital system shouldn't have, sometimes are wanted and can become "musically acceptable".

There is one way only to obtain all of this. To get the real thing.
Actually there's a much affordable and easy alternative: to use an accurate digital simulation.

GS-201 is an accurate simulation of a japanese Tape Echo machine of the early seventies, featuring:

  • Distinctive dynamic range and frequency response
  • Realistic response to the panel controls
  • Motor "wow and flutter"
  • Sound degradation and distortion at high feedback levels
  • Very natural hum and background tape noise
  • Three different kinds of magnetic tape models
  • Ultra-low CPU usage

SoundFonts it GS-201 Tape Echo v1.0 VST-AMPLiFY
http://www.megaupload.com/?d=0LS17VJF
password: audiopirate.blogspot.com

NomadFactory Analog Mastering Tools VST RTAS v1.0 AiR

Nomad Factory is proud to introduce the Analog Mastering Tools (A.M.T.) - high-resolution limiter and multi-band dynamics processor that sets a new standard for mixing and mastering your music with a subtlety and musical character reminiscent of tube systems.


The A.M.T Amp Leveling is a highly optimized look-ahead Brickwall Limiter and Level Maximization. The A.M.T Amp Leveler has been designed to be used for Mixing, Mastering, Tracking and Live use. Using a new proprietary algorithm ensuring a very smooth-warm sounding with maximum loudness and no digital-over-clipping as well as low CPU consumption for lightening-fast processing, the A.M.T Amp Leveler is nothing short of amazing.

* High quality signal processing algorithms
* Look-ahead Peak Limiting and Loudness Maximizer
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Recovery (Release Time) 5 settings
* Full Automation for all parameters PC and Mac OS X
* Easy-to-use vintage interface.
* 24 bit / 192 kHz supported


The A.M.T Max Warm is a highly optimized look-ahead Brickwall Limiter, Equalizer and Level Maximizer. What makes the A.M.T Max Warm process unique is the approach used for its dynamic signal analysis. Internally, the A.M.T Max Warm uses a special processing algorithm to accurately maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a more natural warm-sound, the A.M.T Max Warm also includes a two-band equalizer (Shelving/Peaking) with adjustable frequencies, making this plug-in an amazing advanced and versatile tool.

* High quality signal processing algorithms
* Peak Limiting and Loudness Maximizing with Baxandall Equalizer (Shelving/Peaking).
* Look-ahead Brickwall limiting
* Low and High Shelving controls - Boost / Cut up to 12dB
* Low Frequency variable from 60 Hz to 800 Hz (Shelving/Peaking)
* High Frequency variable from 1.2 kHz to 16 kHz (Shelving/Peaking)
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Limit Mode (Compression) 5 settings
* Recovery (Release Time) from 10ms to 999ms
* Full Automation for all parameters PC and Mac OS X
* Easy-to-use vintage interface.
* 24 bit / 192 kHz supported


The A.M.T Multi Max multiband peak limiter is a highly optimized 3 band look-ahead Brickwall Limiter, and Level Maximizer. The A.M.T Multi Max uses a special processing algorithm to accurately spilt and maximize the incoming signal level while limiting the ceiling peak levels. This approach tends to produce a loud and clear natural warm-sound. The A.M.T Multi Max 3 band crossover with adjustable frequencies delivers sweet highs and punchy lows, making this plug-in an amazing advanced and powerful tool. When you need maximum sound with minimum latency and complete control, the choice is clear, use the A.M.T Multi Max plug-in.

* 3-Band crossover high quality signal processing algorithms
* Look-ahead Peak Limiting and Loudness Maximizer
* Low, Mid and High bands gain controls - Boost / Cut up to 12dB per band
* Input Threshold (Maximizer) variable from -20dB to +20dB
* Out Ceiling variable from -20dB to +20dB
* Limit Mode (Compression) 5 settings
* Recovery (Release Time) 5 settings
* Full Automation for all parameters PC and Mac OS X
* Easy-to-use vintage interface.
* 24 bit / 192 kHz supported


NomadFactory Analog Mastering Tools VST RTAS v1.0 AiR
http://www.megaupload.com/?d=QL65YCZS
password: audiopirate.blogspot.com

NomadFactory Retrology M-Tone EQ VST RTAS v1.0 REPACK AiR


The Retro Music-Tone is a 7-band passive equalizer plug-in emulation of the hardware version used exclusively by Motown engineers.

Like in the original hardware units, we have recreated the proportional Q which means that there is no adjustable Q bandwidth : small boost/cuts have a very broad Q and greater boost/cuts have a narrower one. You just have to adjust the gain of each fixed frequencies (from -8dB to +8dB) according to taste and the resulting tonal color.

  • 7-band equalizer with, Gain and Proportional Q.
  • 50 Hz, 130 Hz, 320 Hz, 800 Hz, 2 kHz, 5 kHz and 12.5 kHz.
  • Boost / Cut up to 8dB per band
  • Phase reverse switch
  • Vintage VU Meter
  • 24 bit / 192 kHz supported

NomadFactory Retrology M-Tone EQ VST RTAS v1.0 REPACK AiR
http://www.megaupload.com/?d=MXPSA3E0
password: audiopirate.blogspot.com

9 Kjaerhus Audio Plugins-AMPLiFY


Golden Audio Channel | GAC-1
The Golden Audio Channel | GAC-1 includes all you need to make top-notch audio tracks and mixes. It features two equalizers, two compressors, a noise-gate and a de-esser.

Kjaerhus.Audio.Golden.Audio.Channel.GAC-1.v1.03.VST-AMPLiFY
http://www.megaupload.com/?d=B6VOLPA0
password: audiopirate.blogspot.com


Golden Audio Gate | GAG-1
The Golden Audio Gate | GAG-1 is a versatile gate / expander & ducking plug-in made for such applications as noise-gating, gated reverb, voice-over, de-breathing and many other practical and creative purposes.

Kjaerhus.Audio.Golden.Audio.Gate.GAG-1.v1.01.VST-AMPLiFY
http://www.megaupload.com/?d=HK6Y2QRA
password: audiopirate.blogspot.com



Golden Compressor | GCO-1
The GCO-1 is a versatile quality compressor and expander plugin modeled after some of the best analog compressors. It works well with all material for tracking, mixing and mastering.

Kjaerhus.Audio.Golden.Compressor.GCO-1.v1.12.VST-AMPLiFY
http://www.megaupload.com/?d=Y9XRRIFI
password: audiopirate.blogspot.com



Golden Equaliser | GEQ-7
GEQ-7 is a high quality five band parametric equalizer with a selectable shelf setting on the highest and lowest band. Additionally, Low Cut and High Cut Filters with selectable slopes are provided.

Kjaerhus.Audio.Golden.Equaliser.GEQ-7.v1.12.VST-AMPLiFY
http://www.megaupload.com/?d=I06ISSJ7
password: audiopirate.blogspot.com


Golden Modulator | GMO-1
The GMO-1 is a Professional Modulation VST-Plug-in designed to provide high quality Chorus, Flanger, Tremolo, Panning and other Frequency-, Delay- and Amplitude- Modulated effects.

Kjaerhus.Audio.Golden.Modulator.GMO-1.v1.21.VST-AMPLiFY
http://www.megaupload.com/?d=FUIQLH73
password: audiopirate.blogspot.com


Golden Peak-Pressor | GPP-1
The GPP-1 is a high quality soft-limiter / peak compressor designed for peak- taming / compression during real-time tracking, sub-tracking and mixing, live or in the studio.

Kjaerhus.Audio.Golden.Peak-Pressor.GPP-1.v1.11.VST-AMPLiFY
http://www.megaupload.com/?d=KQDGP7LC
password: audiopirate.blogspot.com


Golden Uni-Pressor | GUP-1
The Golden Uni-Pressor | GUP-1 is a general-purpose compressor made for tracking, mixing and mastering. It offers VCA and Opto models that can be run in a Warm or Smooth mode.

Kjaerhus.Audio.Golden.Uni-Pressor.GUP-1.v1.02.VST-AMPLiFY
http://www.megaupload.com/?d=DKVFT1E5
password: audiopirate.blogspot.com



MPL-1 Master Precision Limiter
The Kjaerhus MPL-1 is a limiter plug-in made for mastering and other purposes where the highest accuracy and quality are demanded. The MPL-1 uses an over-sampled peak detecting algorithm.

Kjaerhus.Audio.MPL-1.v1.02.VST-AMPLiFY
http://www.megaupload.com/?d=I8J5TPC2
password: audiopirate.blogspot.com



Spectra
Spectra is a synthesizer plug-in which combines multistage additive synthesis with subtractive synthesis in an easy to operate and intuitive product. It provides you with a wealth of timbral possibilities.

Kjaerhus.Audio.Spectra.v1.10.VSTi.REPACK-AMPLiFY
http://www.megaupload.com/?d=Y9FWGU3E
password: audiopirate.blogspot.com

for more info & to get the freeware "Classic Series" plugins visit kjaerhusaudio.com

OhmForce OhmBoyz PRO VST v1.45 incl Keygen-AiR

(above: Classic Skin)

Who are the OhmBoyz ? 4 predelays injecting into 2 nicely geared delay lines, two complete resonant filters, distortion and high shelf. Remember, a delay is an echoing device. You really should prepare your sound to travel through space along with the OhmBoyz.
  • This delay does not "click".
  • LFOs everywhere.
  • Who wants a resonant filter ? high pass, low pass, band notch, wah-wah, adjustable bandwidth and resonance from -24dB to +24dB : enough to deafen to death your most respectable neighbours.
  • Serious distortion ! Choose between overdrive and puncher... or anywhere in between...
  • A high-shelf filter, to shunt the highest sounds, useful after heavy distortion.
  • Move several buttons in one move, with group selection and side-click.
  • Instant result : with many sequencers (cubase, Orion...), OhmBoyZ adjusts itself to the right tempo and follows any occurring change.
  • MIDI Automation.
  • Useful presets, loadable on-the-fly, that can be applied instantly or with long or very long transitions where all the parameters switch from the old value to the new one in a ballet you won't forget.
  • Five effects for the price of one : delays, resonant filter, distortion, high shelf ... Use what you want or need. All those effects, together, provides an unusual result : OhmBoyZ.

(below: Funky Skin)

OhmForce OhmBoyz PRO VST v1.45 incl Keygen-AiR
http://www.megaupload.com/?d=Y09FNM7L
password: audiopirate.blogspot.com

Deadly Drums Vol 1 & 2 (wav)

DEADLY DRUM SOUNDS
100% New Custom Sounds

Thick Kicks (130) - Every Hip-Hop track needs a bone crushing Kick Drum. If you're looking for ambient Kicks like The Neptunes or Scott Storch use, or just plain hard Kicks similar to Dr. Dre, you won't have any problem finding what you need.

Snappy Snares (150) - Whether you're looking for thick, gritty, and lo-fi Snares like DJ Premier or Alchemist, or crisp, clean snares like Hi-Tek or Denuan Porter, you'll find it on this CD, guaranteed!

Custom Claps (30) - Claps are being used more and more by chart-topping producers these days. From Just Blaze's Snap/Clap's, to Timbaland's Lo-Fi claps, they're everywhere. You might've noticed how hard it is to find clean, unique clap sounds. This kit offers a wide variety of custom sounds - from simple hand claps to thick, multi-layered club claps. You'll love these.

Crisp Hi-Hats (100) - Hi-Hats are often over looked when selecting a drumkit, however, they are usually just as important as any other sound. Whether you need want speedy, double-time hi-hats like Lil' Jon, or simply want thick, crisp hi-hats like Pete Rock, you'll have a huge selection of hi-hats to choose from.

Cymbals / Crashes (30) - You can never have enough cymbals or crashes in your drum arsenal. Producers like The Heatmakerz sprinkle their tracks with crashes and cymbals to add intensity and movement. If you like to make big buildups and breakdowns in your beats, these work perfectly.

Smooth Shakers (30) - Shakers are a great tool to get a rhythm going in your beats. Many top producers such as Just Blaze, Rodney Jerkins, and The Neptunes are using shakers to define their tracks. Whether you're creating an up-tempo club track or a smoothed out Neo-Soul type track, these shakers are perfect.

Percussion - (30) If you've ever wanted exotic percussion sounds in your music, look no further. Bongos, Congas, Tablas, Timbales, Tom-Toms, Tambourines, and much more. Whether you want Latin or Middle Eastern percussion, this disk has it all. If you like the percussion styles of Timbaland and Missy Elliot, you'll need this disk!


Deadly Drums Vol 1 (wav)
http://www.megaupload.com/?d=2I84491K
password: audiopirate.blogspot.com


DEADLY DRUM SOUNDS
100% New Custom Sounds

Thick Kicks (100) - Every Hip-Hop track needs a bone crushing Kick Drum. If you're looking for ambient Kicks like The Neptunes or Scott Storch use, or just plain hard Kicks similar to Dr. Dre, you won't have any problem finding what you need.

Snappy Snares (100) - Whether you're looking for thick, gritty, and lo-fi Snares like DJ Premier or Alchemist, or crisp, clean snares like Hi-Tek or Denuan Porter, you'll find it on this CD, guaranteed!

Custom Claps (50) - Claps are being used more and more by chart-topping producers these days. From Just Blaze's Snap/Clap's, to Timbaland's Lo-Fi claps, they're everywhere. You might've noticed how hard it is to find clean, unique clap sounds. This kit offers a wide variety of custom sounds - from simple hand claps to thick, multi-layered club claps. You'll love these.

Crisp Hi-Hats (75) - Hi-Hats are often over looked when selecting a drumkit, however, they are usually just as important as any other sound. Whether you need want speedy, double-time hi-hats like Lil' Jon, or simply want thick, crisp hi-hats like Pete Rock, you'll have a huge selection of hi-hats to choose from.

Cymbals / Crashes (25) - You can never have enough cymbals or crashes in your drum arsenal. Producers like The Heatmakerz sprinkle their tracks with crashes and cymbals to add intensity and movement. If you like to make big buildups and breakdowns in your beats, these work perfectly.

Percussion (150) - If you've ever wanted exotic percussion sounds in your music, look no further. Bongos, Congas, Tablas, Timbales, Tom-Toms, Tambourines, and much more. Packed with tons of Cuban, Latin, and Middle Eastern percussion, this disk has it all. If you like the percussion styles of Timbaland, Missy Elliot, and The Neptunes, then you need this disk!


Deadly Drums Vol 2 (wav)
http://www.megaupload.com/?d=YM9WLAB9
password: audiopirate.blogspot.com

Friday, 11 April 2008

Roger Nichols Digital Pack VST RTAS-AiR



Roger.Nichols.Digital.DETAILER.VST.RTAS.v1.2-AiR.rar

Roger Nichols Proprietary Mastering Tool
Come into the Mix

Detailer is a stereo mastering process developed by Roger Nichols and used in countless hit records. Detailer offers a new way of increasing the perception of "detail" in the mid level of a final mix while still allowing increased loudness. The process involves a combination of three-band limiting and dynamic widening using psycho-acoustic processing. Roger Nichols has fine tuned the process to produce the most effective result with the least amount of adjustment.
Three is better than one

Detailer splits the incoming signal into three frequency bands that are each processed independently. Great care has been taken to eliminate phase shifts at the crossover points, a common problem with multi band plug-ins. Once the signal processing is complete, the three bands are recombined into a full frequency band signal.
Dynamic widening without the mud

Detailer uses spectral harmonic detection and intelligent parameter adjustment to apply its innovative dynamic-widening processes only where and when it is useful.
Make it loud, please

Using the advanced limiting algorithms from our highly acclaimed Finis plug-in ensures maximum audio levels - if that is needed - while preserving audio dynamics. Using Detailer along with Dynam-izer will give you the loudest mixes on the planet, and leave your dynamics intact.
What you see is what you get

A comprehensive set of meters lets you adjust Detailer settings to perfectly match the specific characteristics of your audio signals.
Version 1.2 Update

* RND Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.

DETAILER-System Requiremements
* Windows XP and Vista 32
* Requires VST, AU, or RTAS host


Roger.Nichols.Digital.DYNAM-IZER.VST.RTAS.v1.2-AiR.rar

The Fundamentally New Dynamics Processing Tool in Decades
Get In The Zone

Don't get confused - this is not multi-band compression. DYNAM-IZER is an entirely different beast. Why always apply the same compression to all audio levels? Compress the louder levels with a quick attack; expand the lower levels with a slow release and leave the mid level sounds alone. Try it with a traditional compressor - you won't get far. DYNAM-IZER lets you break your audio levels up into "zones" so you can control them exactly how you want. No one size fits all compression here.
What Are You Looking At?

Thought you knew compression? Think again. DYNAM-IZER lets you visualize compression in a way you've never seen before (no transfer curves here). Just like a graphic equalizer provides valuable information for your equalization efforts, so does DYNAM-IZER provide critical info for your compression efforts. No more shooting in the dark - just the info you need for total control.
That's The Key

Left channel, right channel, both or side chain - DYNAM-IZER let's you choose the audio that will trigger its compression. Like it fast and hard or slow and smooth? You choose: select from Peak or RMS analysis of your key to get the results you want. And once you've got that nailed, get busy with the three available filters (7 filter types to choose from) to tweak your key audio to meet your needs. Whether you're ducking, de-essing or trying something new, DYNAM-IZER's key has you covered.
Features, Features, Everywhere

DYNAM-IZER's compression meters indicate how your attack and release are affecting the compression. Cloud meters show you where your audio levels are concentrated. There's even a built-in "Auto-Limiter" for those times when you want to ensure your audio doesn't go in the red. Automatic gain compensation, look-ahead, and more. Click here to see the Full Feature List!
What you see is what you get

A comprehensive set of meters lets you adjust Dynam-izer settings to perfectly match the specific characteristics of your audio signals.
Version 1.2 Update

* RND Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.
* Dynam-izer now comes in two flavors. The brushed aluminum look, was updated with orange buttons, sliders and arrows to improve the visibility of important control points. An "elemental blue" color scheme is now also available. This choice was not only made available to satisfy customers preferences in color schemes, but when running several instances of Frequal-izer it can help to better distinguish which one belongs to which track.


DYNAM-IZER-System Requiremements
* Windows XP and Vista 32
* Requires VST, AU, or RTAS host


Roger.Nichols.Digital.FINIS.VST.RTAS.v1.2-AiR.rar

Brick-wall Limiting & Loudness Maximization

We all know that unplanned digital distortion is bad news. Use Finis to control your audio levels and prevent distortion from rearing its ugly head. And when you need to give your audio more edge, Finis helps you maximize your audio's loudness. Even at extreme settings, Finis can control levels without audible distortion. Whether you just need to catch an occasional over or to increase the average level of your audio, Finis offers a flexible solution.
Psycho

Finis employs psycho acoustic limiting algorithms that analyze several aspects of your audio and, considering the way humans perceive volume levels, intelligently adjusts your audio levels to keep them under the maximum you have specified. To most effectively control your levels, Finis looks ahead of your audio, watching for any peaks that would exceed the maximum output level. It quickly decreases the level to bring the peak under the maximum, preventing distortion from occurring. Because Finis is a brick wall peak limiter, it will never allow the audio to exceed the maximum output level you have specified. Click here to see the Full Feature List!
Get Three for the Price of One

You want more control over the way a limiter behaves or "sounds". After all, the same limiting style doesn't fit every purpose. That's why Finis provides three distinct limiting algorithms - so that you can tweak the plug-ins limiting style to meet your needs. But Finis offers choice without complexity. You only need to interact with two primary controls to get the response you want. Using Finis is simple - in many cases it can just be activated, a few small adjustments to the Release or Reaction controls and it is done.
Peak, and RMS, and Crest Factor, Oh My!

What is a limiter without proper metering? Finis gives you all the metering you need to get the most from your limiting. To make sure that you don't lose sight of any aspect of your audio levels, Finis introduces an integrated Peak, RMS, and Peak hold meter. What's more, because limiting affects audio dynamics, Finis includes an innovative new Crest Factor meter. This meter ensures you don't kill your audio dynamics. Unless of course, that's the goal.
The World Of Limiting Just Got Brighter

Finis employs the most advanced psycho acoustic algorithms we know of. Great Tools don't need to have complicated user interfaces.

FINIS-System Requirement
* Windows XP and Vista
* Requires VST, AU or RTAS host


Roger.Nichols.Digital.FREQUAL-IZER.VST.RTAS.v1.2-AiR.rar

Linear Phase Mastering EQ & Matchmaker

FREQUAL-IZER builds a complex FIR (Finite Impulse Response) filter to your specifications. See the results of your EQ with the built-in spectrum analyzer. FREQUAL-IZER will not color your audio with the introduction of non-linear phase shift.
Meet Your Match

Ever wanted to make one track sound more like another? Need to bring together takes recorded in different spaces? FREQUAL-IZER's spectrum matching feature provides you with all this and more. Learn the frequency response of one audio source and apply it to another for technical adjustment or creative effect.)
All 50 States

Use FREQUAL-IZER's 50 States to store EQ's for instant recall or automation. Add, delete, copy, and move the EQ states you create or have FREQUAL-IZER intelligently "fill" empty states, morphing between selected EQ's. Working with States is a snap when you use the States Overview to visualize all 50 available states.
Features Galore

A comprehensive history and two workspaces allow you to easily compare and contrast different EQ's. Edit each channel individually or choose from four linking modes to designate how changes to one channel will affect the other. Scale, smooth, or sweep your entire EQ curve. Boost or cut your signal by +/- 18 dB. Customize the spectral display to only show what is of interest to you. Click here to see the Full Feature List!
FREQUAL-IZER brings creativity to linear phase equalization

FREQUAL-IZER-System Requiremements
* Windows XP Compatible
* Requires VST, AU, or RTAS host


Roger.Nichols.Digital.InspectorXL.VST.RTAS.v1.2-AiR.rar

A new approach to Analysis, Six professional Meters

Inspector XL (IXL) was designed to fulfill a number of familiar analysis tasks with professionalism, style, and finesse. Available as a series of interactive modules, Inspector XL includes six individual, thoughtfully designed plug-ins for: FFT, Spectagram and Third Octave Spectral analysis, flexible level metering, plus phase and correlation, balance, stereo imaging, and statistical clipping with overload analysis. From top to bottom, Inspector XL provides a comprehensive, flexible, and easy-to-use approach.
"I wish I had better meters ... I wish I had better meters ..."

How many times have you wished for larger meters? Change the color of your meters? More flexible meters? Or more standard meters than those available in your host DAW? Inspector XL's meters answer all of these needs and more. Amazingly configurable, infinitely usable meters you should not be without. Horizontal and vertical layout with customizable color, range, ballistics, zero reference, and so on. And still supporting standard level meter formats including K-System and IEC Digital PPM. Inspector XL has got you covered with professional meters you can use anywhere and everywhere.
Choices, choices, and more choices

If you like choices and who doesn't?, Inspector XL offers you plenty. Each module provides a range of color and configuration choices. Use the integrated, easy-to-use color picker to customize the color of your spectral analysis, phase scope or level meter data. Select from FFT, Spectagram, or ISO Third Octave spectral analysis to match your needs. Display all spectral data you need to see: Peak, Peak Hold, Average (or any combination) and choose the default Third Octave analysis data type. View phase in traditional XY or Vector modes or utilize RNDigital's intuitive Polar mode - each individually configurable, of course. Use standard meters if you want or stretch out and customize your Dow integrated or separate peak/RMS; customizable caution and warning zones; plus selectable primary meter type (peak/RMS) are just a few of the available options.
But, wait - there's more

Inspector XL isn't just a pretty face, it was designed with the features you need to make everyday use a joy. Save and Load function means you can save task-specific settings for future reference. Inspector XL's innovative "Import" function allows you to extract color settings, saved spectral snapshots and other selected data from a settings file without over-writing all of your current parameters. And if you're familiar with RND's concept of alarms, you'll appreciate Inspector XL's approach. Extensive alarm functions include warnings for correlation and max band level to over and clipping statistics. Inspector XL even allows you to define a clip in your own terms for statistical analysis relevant to your sessions. Alarm groups and alarm severities let you further customize alarm behavior. Inspector XL has so much to offer...

Click here to see the Full Feature List!
Professional, flexible, fully customizable, easy-to-use. What more could you want from an analyzer?

INSPECTOR XL-System Requiremements
* Windows XP Compatible
* Requires VST, AU, or RTAS host


Roger.Nichols.Digital.SPL-ICER.VST.RTAS.v1.01-AiR.rar

Multiband Processing with Singleband Plug-ins?

You know about signal processing: EQ, compression, distortion, reverb . . . and it’s a beautiful thing. But multiband signal processing, which divides a signal into different frequency bands and applies processing to each band individually, takes the concept to the next level.

Probably the most common example is multiband compression, which typically splits a signal into three to five bands. This is used a lot with drums and program material (e.g., a mixed stereo signal), because single-band compression has limitations. For example, with drums, suppose you feed the drums through a compressor and there’s a strong kick hit. That causes compression to occur, and it affects the high-frequency sounds as well, such as hi-hats. With multiband compression, you could put drastic compression on the low-frequency kick drum, while adding only a slight amount of compression (or none) to other frequency ranges. When used with program material, multiband compression gives a less ”squashed,” more transparent sound.

Other Uses

Because a keyboard covers such a wide frequency range, you might want to process one frequency range differently. For example, suppose you've loaded a cool imitation-Rhodes preset, and you want the lower notes to "bark" more than the upper notes. Apply multiband distortion, and apply subtle amounts of distortion only to the lower frequencies - say, below 200Hz. Now those lower keys will have a gritty character, while the others sound normal.

Vocals are often split into high and low frequencies, then delay is added only to the higher frequencies. Thus the sibilant-rich sounds have echo, while the lower notes do not. If there's a fairly dense instrumental background, this technique avoids muddying up the midrange - the vocal echoes "float" over the other sounds.

So how do you use your favourite processing or sound tool in a mutliband environment?

The SPL-IZER is an adjustable 3 band 24db per octave FIR (Finite Impulse Response) frequency splitter that allows the three bands to be isolated and routed to aux or instrument tracks for separate processing.

The use of FIR filters ensures that no phase shifting occurs at the frequency split points. With this tool, one can use for example ones favorite single band compressor (let's say uhm.. Dynam-izer) and make it 3 band.

There is of course a myriad of potential uses. One use we found was to use the Spl-izer in front of the reverb auxes. No reverb on the low end, the original reverb on the mid section and the same reverb but with reduced decay on the high end. Acoustic rhythm guitar track run through the Spl-izer: low end muted, mid section straight through and a short echo/ chorus only on the high end.

Features

* Spl-izer features user adjustable frequency split point and audio levels.
* The low to mid split point can be set from 80Hz to 1475 Hz.
* The mid to high split point from 80Hz to 16kHz.
* The user can choose between using Hanning or Blackman windows.
* The various level meters feature RNDigital's proprietary +8db input meter
with peak and RMS level indicators.
* The direct output of the plug-in can be switched between Mute, Sum, Low Band,
Mid Band and High Band for instant monitoring.
* The three bands created by the the splitter each have their own level meter
and adjustable gain.
* The plug-in makes these signals available to your DAW as individual busses.


The Spl-izer created buss signals ( SPL-IZER LOW, SPL-IZER MID and SPL-IZER HI) can then be insterted as input on any other track for further processing. A large Band level meter indicates both the crossover points and the audio level of each band.


SPL-IZER-System Requiremements
Pentium 3 or similar processor Digital Audio Software that can run Audio Plug-ins in RTAS (Pro Tools 7.x is required) or VST format. Windows XP or Windows Vista.


Roger.Nichols.Digital.UNIQUEL-IZER.VST.RTAS.v1.2-AiR.rar

A new approach to Equalization, Build the EQ you Need on the Fly
Go on, be the boss

Why work within the confines of an EQ configuration of someone else's choosing? UNIQUEL-IZER lets you determine your ideal EQ. If you ever need more bands or filters, they're just a click away. No need to swap out for another EQ or use another insert slot. UNIQUEL-IZER lets you be the boss.
Variety is the key

From standard to specialty filters, the unprecedented selection lets you be the master of your EQ. Use the 4 and 8 harmonic parametrics to remove A/C line noise (i.e. hum) or use the steep notch to remove unwanted tones. With 11 filter types available, there's a filter for every occasion.
Get Ready to Flex

Activate or inactivate filters on the fly or solo an individual filter to hear only its effect. Two workspaces allow you to compare EQ's to zero in on the ideal settings for your mix. Boost or cut your signal by +/- 24 dB. Zoom in on the filter graph for editing precision. Save your EQ's with integrated Save and Load. Import previously saved filters into your current EQ session.
Click here to see the Full Feature List!
Version 1.2 Updates

* Roger Nichols Presets are now included as factory presets
* A new ? button has been added allowing quick acccess to the online manual.
* Dynam-izer now comes in two flavors. The brushed aluminum look, was updated with orange buttons, sliders and arrows to improve the visibility of important control points. An "elemental blue" color scheme is now also available. This choice was not only made available to satisfy customers preferences in color schemes, but when running several instances of Frequal-izer it can help to better distinguish which one belongs to which track.
* The root frequency of the harmonics filters can now be adjusted in .1 Hz increments. Since A/C noise disturbances are not always at exactly 50 or 60 Hz.

UNIQUEL-IZER-System Requiremements
* Windows XP Compatible
* Requires VST, AU, or RTAS host



Roger Nichols Digital Pack VST RTAS-AiR
http://www.megaupload.com/?d=JYM0VZ7Q
password: audiopirate.blogspot.com


Manuals......
http://www.megaupload.com/?d=O84Q3UYO
password: audiopirate.blogspot.com

NuGen Audio Space Designer Plugins-NEMESiS

NuGen Audio Visualizer VST v1.4.2 WIN-NEMESiS

If you work with audio, you need great analysis tools.

Flexible and logical control grouping has made it possible to allow intricate custom setups involving over a hundred individual parameters, whilst maintaining maximum display space and a clear operational eye path.

Features

Views:
Multiple level meters (Peak/RMS/K12/K14/K20 etc.)
FFT Spectrum Analysis
Stereo Spectrum Analysis
Spectrogram
Stereo Spectrogram
Vector Scope
Stereoscope
Stereo Bias meter
Correlation Meter
Stats and Parameters module

Features:
Resizeable Interface
Intelligent window optimisation
Optimised control selection
Frequency zoom and scroll
dB Zoom and scroll
Peak hold control
Colour selection
FFT window selection
RMS window adjustment
A/B snapshots
Optimised resource use


Intelligent Window System

This unique facility allows the selection of multiple view combinations, resizing and aligning windows to maximise legibility and cross referencing information across screens. There is no need to switch plugin for a different combination, and presets (user configurable) allow instant switching between setups and interface size enabling unparalleled workflow enhancements and intuitive operation.


Level Metershttp://www.nugenaudio.com/visualizer.php

Fully adjustable level meters including color, split point selection and horizontal or vertical positioning.

- Fully adjustable digital scale meter
- Stereo margin indicator, showing dB remaing to clip
- RMS (Root mean Squared) scale meter
- K-Scale meters, as devised by Bob Katz
- Peak hold settings
- Response and Fallback control
- Multiple color and display options
- Grab and zoom dB range


FFT Spectrum Analyzers

Full range Spectum analysis with linked or independently zoomed frequency window. Peak level control and color picking.
- Left, Right, Left & Right and Average modes
- Full spectrum and various banding options
- Unique Stereo Differential mode
- Multiple color and display options
- Peak hold settings
- Grab and zoom dB and frequency range
- Independent Response and Fallback control
- Mouse over readout
- 'right click tone' audio assistant


Spectrograms

Scrolling spectrogram showing level and frequency history with zoom control.
- Unique Differential mode
- Color pallete selection
- Smoothing control
- Grab and zoom frequency range
- Mouse over readout
- Full spectrum and various banding options


Vectorscope

X/Y plot showing detailed stereo and phase information
- Zoom
- Color picking
- Response control
- Polar/Lissajous setting
- Color selection
- Stereometer


Correlation Meter

Phase correlation meter with frequency window and correlation history
- Freeze control
- Response parameter
- Optional history log
- Color pallete


Statistics and Setup module

- Clip counters
- A/B/C/D weighting curves and dB slopes
- FFT window type
- RMS window size
- Pink noise calibration tool

NuGen Audio Visualizer VST v1.4.2 WIN-NEMESiS
http://www.megaupload.com/?d=CR6BJ6NP
password: audiopirate.blogspot.com





NuGen Audio Monofilter3 VST v3.2.4 WIN-NEMESiS

Re-designed from the ground up to bring 'transparent' solidity to your sounds, Monofilter 3 can sharpen, define and align your sounds for the tightest mix.

Monofilter 3 can bring back the centre of your bass, so easily lost through stereo effects processing, synth sound generation, unwanted phase inconsistencies and live recording mic. bleed etc.

Our market leading features now give you clear control over stereo spread, transition and phase alignment, and the unique WYSIWYG interface gives you clear and exacting visual feedback.

Features

Completely re-written from the ground up, Monofilter 3 now includes:
= Exact WYSIWYG graphical display + filter slopes
No style over content here - what you see is what you get. The accurate stereo differential waveform analysis and filter performance overlay shows you exactly what is going on. the fft spectrum analysis can be especially useful when making an initial assesment of the situation, as it can be difficult for the ear to accurately resolve directional information in the low frequencies. Using the display you can quickly assess the nature of the audio under inspection.
= Phase Alignment (manual and auto)
Phase problems 'smearing' the centre caused by stereo FX or multiple mic. recordings can be adjusted manually, or tracked automatically using our in-built correlation algorithm.
= Level Trim (manual and auto)
Need to tweak the bass component smoothly without any unwanted EQ 'bumps'? No problem. Auto mode can also automatically adjust for any level changes as a result of the narrowing process.
= Multiple Listen Modes
Quickly find the desired crossover point by ear.
= Digital Full Scale level meter with peak hold
Scaled to allow rapid optimisation of the signal path. Solid colour banding allows peak levels to be easily identified.
= Left and Right Clip margin
Essential metering feature in a mastering situation.
= Filter slope adjustment
Controls the rate of introduction of the effect, smooth, sharp or somewhere in between. Easy to tailor to your program material.
= L/R balance control
After focussing the bass, this feature allows you to maintain control over the rest of the signal without affecting the low frequencies.
= Cutoff frequency adjustment
Simply use the slider or enter a number directly.
= High Quality mode
Where filter performance is critical, select HQ mode for the sharpest performance.

NuGen Audio Monofilter3 VST v3.2.4 WIN-NEMESiS
http://www.megaupload.com/?d=PMG8F697
password: audiopirate.blogspot.com





NuGen Audio Stereoizer VST v2.6.3 WIN-NEMESiS

Designed for adding adjustable stereo spread to mono or stereo input signals Stereoizer gives you the controls you need to take your sounds into new dimensions.

Now with new mono-compatible features and dynamic control for a shifting stereo image, Stereoizer 2 can generate the full range of stereo enhancement, from subtle depth control to full dynamic shifting and phase realignment. Great for percussion parts, lifeless pads, static lead sounds - anything that needs that little bit extra.

Features

= Master process - fully mono compatible stereo enhancement
With Width and Resolution controls for adding fully mono-compatible stereo enhancement.
= Phase Shift / Invert
Looking to go 'super wide', engage in some phase collapsing techniques, or simply re-align an existing relationship, stereoizer gives you the tools to dive in.
= Dynamics
Stereoizers dynamics control allows you to bring automatic animation to the settings, shifting and morhing the stereo spectrum.
= Linear width
Control the width oft he whole process, expanding further (up to 200%) or reducing to reign in - subtle or beyond, you decide.

NuGen Audio Stereoizer VST v2.6.3 WIN-NEMESiS
http://www.megaupload.com/?d=JQU84GB0
password: audiopirate.blogspot.com





NuGen Audio Stereoplacer VST v2.3.3 WIN-NEMESiS

If you have ever wanted to pan a sound in a loop, then read on...

Adjust the position of percussion sounds in a stereo loop, or add stereo positioning to mono samples, placing frequencies exactly where you want them. Stereoplacer gives you control that is simply not available with a traditional mix setup.

Stereoplacer is a fine-tune parametric EQ with the addition of stereo positioning controls. This allows you to tune each band into specific frequencies and move the frequency content around in the stereo sound stage. You can also apply different amounts of cut and boost to the Left and Right channels, or allow Stereoplacer to keep the balance of the original sounds while you choose the position.

Try the demo today and check the manual for a quick guide to getting started.


Features

= 5-Band parametric EQ
Lock into the sounds you need to move with precision, using enough bands to capture all the harmonics you need.

= Tune/Place modes
Independent 'transparent' positioning or combined options fro a more dramatic effect.

= Full utility controls
Integrated A|B system, undo/redo and bypass controls allowing rapid and intuitive comparison of the effect in progress.

= Linear width
Control the width oft he whole process, expanding further (up to 200%) or reducing to reign in - subtle or beyond, you decide.


NuGen Audio Stereoplacer VST v2.3.3 WIN-NEMESiS
http://www.megaupload.com/?d=Z8UQ7ZSY
password: audiopirate.blogspot.com

Sidechaining In FL Studio Using The Peak Controller

Sidechaining/Ducking In FL Studio Using The Peak Controller - Video Tutorial (11MB)

http://www.megaupload.com/?d=ROK306YA
password: audiopirate.blogspot.com

Audio Sliders v4.2 WinAll Cracked-PALACE


Audio Sliders is a Volume Control replacement that is 5 times smaller than the Windows version. The smart, user-friendly interface lets you change volume, bass and treble levels, group playback and recording controls within the five custom layouts and gives the ability to save and restore volume levels.

Features:
# 5 user-defined layouts in the easy-to-use, skinnable interface.
# Support for multiple (concurrent) sound cards and mixers.
# Auto-hide and auto-rollup features (see screenshot).



Audio Sliders v4.2 WinAll Cracked PALACE

# Dimensions: width=210 pixels, height=16 pixels/slider.
# User-editable control captions (e.g. rename "AUX Volume" to "FM-Radio").
# Multiple language interface (with 17 languages included).

Hot Keys Remote Control
Remote control uses hotkeys to control most popular CD and Mp3 players, including Winamp, Sonique, Quintessential CD, etc. Moreover, the same hotkeys can be used for all players; auto-created submenus can control any installed player.
* System-wide hotkeys for activate/hide window; increase, decrease, mute volume and select controlled line/device (e.g. Master Volume/CD Volume/Wave Volume).
* Since these hotkeys are system-wide, they work seamlessly across all applications.

Multiple sound card support
Audio Sliders can work with two or more sound cards simultaneously. Volume sliders from different sound cards can be mixed in a single layout.

You can quickly change Windows default playback and recording device from the tray menu.

On Screen Display
The large OSD (On Screen Display) with semi-transparent background pops up when a hotkey is pressed and indicates the volume level or a song name and playback position. This display also allows you to change the volume level, select a track or playback position and pause or stop playback.

* Will pop up on hotkey or left click on the tray icon.
* Configurable text and background colors and the time OSD will remain onscreen.

System Information
Additionally, Audio Sliders can display time for different time zones, as well as system information including drive's free space, available physical memory, total memory load and CPU utilization.


Audio Sliders v4.2 WinAll Cracked-PALACE
http://www.megaupload.com/?d=5O63WAFQ
password: audiopirate.blogspot.com

Wednesday, 9 April 2008

Way out Ware TimewARP2600 VSTi v1.15-AiR


Way Out Ware has perfected the first software synth version of the classic ARP 2600 analog synthesizer: the new TimewARP 2600.
This is the only ARP 2600 emulation product endorsed by its creator, Alan R. Pearlman.
By developing our own proprietary and optimized virtual analog oscillators and filters, WOW brings the most accurate digital reproduction of the 2600's fat analog sound to your desktop. All of the original control features from the ARP 2600 are there, and because you can now save your carefully programmed patches, the TimewARP 2600 is even better than the real thing!

TimewARP 2600 Synth Features:
* 3 VCOs - all capable of generating audio band and Low Frequency (LF) signals.
* 1 Lo-Pass Resonant Filter - supports variable-depth self-oscillation and audio band and LF control modulation.
* 1 Sample & Hold - driven by either an internal, external, or MIDI Beat Clock. Can also be used as LFO source.
* 1 Ring Modulator.
* 1 Noise Generator - adjustable from white to red noise.
* 2 Envelope Generators - 1 ADSR, 1 AR.
* 1 Envelope Follower.
* 1 VCA - 2 audio inputs, 1 linear control input, 1 exponential control input. Also has initial gain control.
* 4 plug multiple module.
* Stereo Reverb.
* Output Pan.
* Electronic Switch.
* Lag Processor - LF filtering from 1.2 to 1200Hz.
* 2 Inverter Modules - both with attenuable inputs.
* Preamp In - mono or stereo.
TimewARP 2600 Keyboard Features:
* Virtual ARP 3620 Keyboard.
* Variable-rate portamento, octave switch, pitch bend, LFO controls including delayed sine wave vibrato depth and speed.
* LFO Outputs - include square, triangle, and sine waves.
* External LFO-In - allows keyboard voltages to be modulated by any signal present on the TimewARP 2600.
* Interval Latch Switch - will latch a two note interval for use as single key play.
* 2 Upper Voice Outputs.
* Multiple or Single Trigger Mode - provides for single or multiple gates for slurred notes.
* Keyboard Repeat Mode - provides auto repeat or repeat on key-press synchronized to keyboard LFO and MIDI Beat Clock.
* Square wave is syncable to MIDI Beat Clock.


Way out Ware TimewARP2600 VSTi v1.15-AiR
http://www.megaupload.com/?d=QKDFF5DX
password: audiopirate.blogspot.com

Knufinke Sir Reverb VST v2.3.001 AiR

SIR2 is an easy-to-use audio-plugin that provides high-quality reverberation. It offers zero-latency processing with low CPU-consumption and non-destructive audio processing of impulse responses. SIR2 includes high definition impulse responses (HDIR) of *real* places produced by Pinguin, Hamburg. You can also import impulse responses from free or commercial sources.

Features:

* Zero latency processing.
* Includes Pinguin's High Definition Impulse Responses.
* "True Stereo" processing (a stereo convolution takes place for every source channel (left + right)).
* Routing capabilities ( mono->mono, mono->stereo, stereo->stereo...).
* High-quality internal sample rate converting (sinc-interpolation).
* Linear phase FFT-EQ.
* Free non-destructive amplitude envelope.
* Free non-destructive filter envelope.
* Predelay (0ms - 2000ms).
* Stretch control (high quality resampling).
* Forward / reverse switch.
* Stereo In / Stereo IR Control.
* Preset-managing.
* Separate dry/wet control (-60db .. +20dB).
* HDIR-Direct On/Off switch.
* Imports WAV, AIF, FLAC, BWS, OGG file formats.
* Built in impulse-file browser (with folders).
* Quick wave-file merging (useful for special impulse response libraries).
* No dongle required/no challenge response copy protection.
* Auto-gain (automatic volume compensation).
* HDIR-Direct option.
* Waveform Zoom.
* Picture association.


Knufinke Sir Reverb VST v2.3.001 AiR
http://www.megaupload.com/?d=BRVAZEDQ
password: audiopirate.blogspot.com

Studio Devil Virtual Guitar Amp v1.3


Studio Devil VGA (Virtual Guitar Amp) is a guitar tube amplifier modeling plug-in for Windows VST-compatible audio hosts that is designed to mimic the character of 18 distinct vacuum tube amplifier channels. This virtual tube amplifier processor is based on authentic models of 12AX7A vacuum tube preamps and tube power stages. While primarily intended for guitar amp modeling and direct recording of both electric guitar and bass, Studio Devil VGA excels wherever natural tube overdrive and distortion is needed.

Studio Devil's vacuum tube modeling technology uses a dynamic tube emulation algorithm that sets them apart from other amp simulators. Whereas other digital emulations lack much of the expressive dynamic distortion character found naturally in tube preamps, Studio Devil's distortion model was designed from the ground up with this requirement in mind. Based on measurements from real 12AX7A preamps, Studio Devil's distortion curves and dynamic character closely mimic those in real preamplifier stages.

Virtual Guitar Amp is easily configured to model a wide range of guitar amplifiers through the setting of three selector switches: STYLE, CHANNEL, and BOOST. Each of the 18 possible configurations of these switches emulates a distinct channel that's based on the gain structure and schematic of a real tube amp. The amps modeled by Virtual Guitar Amp were selected to cover the broadest range of guitar playing styles, so there's something in there for everyone.

Studio Devil VGA also features the basic controls of any real guitar amp: GAIN and TONE. Combined with a push-pull power amp model with DRIVE control, Virtual Guitar Amp provides virtually limitless tonal possibilities. The dynamic response and tone are faithful to those you'd expect from real vacuum tube amps and reacts to your playing style just like the real thing. In addition to the ultimate in tube amplifier tone, Studio Devil also delivers two cabinet emulators and a noise gate. Both can be bypassed, giving you the freedom to chain Virtual Guitar Amp with any of your favorite third-party impulse modeling and noise reduction plug-ins.

Features

  • 18 Distinct Amplifier Models selectable from STYLE, CHANNEL, and BOOST switches.
  • Three Unique Amplifier Styles: Classic, British, and Modern all based on 12AX7A tube models and tone circuit modeling algorithms.
  • Three Independent Channels for each style: Clean, Crunch, and Lead.
  • Boost Switch re-configures and "hot-rods" each preamp stage for increased gain and modified lead tone!
  • Authentic Tone Controls: Bass, Mids, Treble, and Presence controls just like those on coveted tube amps!
  • Power Amp Drive Control to adjust natural power amp compression.
  • 2 Cabinet Models: FIR-based speaker cabinet and post-production modeling filters give the final sound the finishing touches!
  • D.I. Box Emulation: bypasses the speaker emulation to allow compatibility with other impulse modeling cabinet & room sims.
  • Built In Noise Gate with threshold and bypass controls.

Studio Devil Virtual Guitar Amp v1.3
http://www.megaupload.com/?d=ZKK5RZV3
password: audiopirate.blogspot.com

Motion Samples - Detox Drums


Engineer/Producer Mike Chav offers up a fresh library of drums inspired by the sounds of west coast legend Dr. Dre and Detroit’s hip hop visionary J Dilla. Using the methods and sources he’s learned from Dilla, and Denaun Porter combined with his engineering expertise, he has now created the ultimate collection of next level Hip Hop drums exclusively for Motion Samples.

* Over 200 Drums
* 16 bit Wav

More info: http://www.motionsamples.com/

Motion Samples - Detox Drums
http://www.megaupload.com/?d=JN8LSLNH
password: audiopirate.blogspot.com

FXPansion VST Adapters

FXPansion VST to RTAS Adapter v2.11-AiR
The VST to RTAS Adapter enables VST effect and instrument plug-ins to be used seamlessly and transparently as RTAS plug-ins in your Pro Tools session (Pro Tools and Pro Tools LE versions 6.0 and higher).

It uses virtually no CPU power or memory and makes a vast range of VST plug-ins available directly within Pro Tools.

The adapter supports all the latest VST2 features, such as sample accurate timing, parameter automation, automatic tempo synchronization, easy preset browsing, and patch/preset interchange with other VST hosts such as Steinberg's Cubase VST, Cubase SX and Nuendo series.

FXPansion VST to AU Adapter v2.0 MAC OSX UB-DYNAMiCS
VST to AU Adapter v2.0 seamlessly and transparently converts your VST
plug-ins to Apple Audio Units, and offers full compatibility with the
latest versions of Mac OS X and the VST and AU specifications.

The adapter uses virtually no CPU power or memory and makes a vast
range of free and commercial VST plug-ins (over 1,000 available at the
last count) available directly within your Audio Units host
applications, exactly as if they were native AU plug-ins.


FXPansion VST to RTAS Adapter v2.11-AiR
http://www.megaupload.com/?d=ATZWNES2

FXPansion VST to AU Adapter v2.0 MAC OSX UB-DYNAMiCS
http://www.megaupload.com/?d=95BV9NIS

password for both: audiopirate.blogspot.com