Welcome to the Audio Pirates library of goodies
Here you will find a whole archive of links to Audio Production Software, VST, DX, RTAS & AU instruments & Effects, as well as links to other useful software.
You will also find audio links here too, including breaks & samples, a capellas, DJ/radio mixes, albums, compilations and cool music videos.


Everything on here is from links I've found on the web, i haven't uploaded any of this stuff myself.
I have tested and do use some of this stuff but not all of it, its a good idea to scan anything you download before using it just to be safe :)
The stuff here is intended as 'try before you buy', if you like this stuff please buy it, if not... delete.

Independent Music Network

Independent Music Network
Http:// ---- Http://

Thursday, 31 July 2008

Superior Drummer 2.0

Superior Drummer 2.0
Superior Drummer® 2.0 is a complete overhaul of the original dfh Superior engine but we’ve made painstakingly sure to lose nothing of the sound quality, attention to detail and musicality that has made the Toontrack® Music drum sampler line what it is.
Superior Drummer® 2.0 has been re-developed for optimized use with e-drums with more effective use of sample layers and much improved loading times. It will include custom MIDI played by Nir Z accessed through the all new customized MIDI engine and arranger EZplayer® pro, it will feature stand alone capacity through Toontrack solo. From premium UK based software developer Sonalksis Superior Drummer® 2.0 has been fitted with, 5-band EQ, high and low pass filter, compressor, gate and transient designer filters.
The new interface is reminiscent of EZdrummer® with its simple handling and lay out but gives its user layer upon layer of in depth features to create the ultimate drum track.
Note* very large file most 199mb
thanz to friends in indonesia..and their friends

Monday, 28 July 2008

Steinberg Cubase Studio 4

Steinberg Cubase Studio 4
The finally rocking one that doesn’t freeze and crashHi folks,I took me about one night, many coffee and pomelo juice (oh god, yes I do really love pomelo juice), to work off, test and compile this release, which should have been only mine. But as I got it fucking working brilliantly for some weeks, I thought I had to share it with the whole community.H2O guys are off; I did a part of the job - but I wanna thank Steinberg's developers and designers for their super-good work. My Syncrosoft krack worked well, but the prog kept crashing for a long time until they finally fixed the bugs in their own work.I repeat H2O's motto: "DON'T MAKE MONEY USING WAREZED SOFTWARE"Please you all pros, buy a legit copy of this brilliant program if you use it.To all the amateurs and enthusiasts, have a nice kick using this sonic weapon.- Smack Jack
Well it is said that he got it..
be sure to read all the info..Ive not tested it.
anyone want to take this baby for a spin?
good luck
Oltos ...ok... crashed it froze...I toast the adventurous souls that tried it...
lets label this unstable...Ill leave the link...(in case someone wants to make it stable...grinnn)

Tuesday, 22 July 2008

Symphonic Orchestra Gold Pro

EWQL Symphonic Orchestra Gold Pro Exp. (XP)
East West Q.L. Symphonic Orchestra Gold Pro Exp. (XP)
The GOLD EDITION is EASTWEST's most popular virtual orchestra, offering unparalleled realism at an affordable price. This 21 Gigabyte expansion more than doubles the size of the original version. In the August, 2006 issue of KEYBOARD MAGAZINE, their reviewers conducted a ORCHESTRAL LIBRARY ROUNDUP of orchestral libraries from top sound developers, and here was their conclusion ...
"Across the board Pro XP's samples have a fatness to them that other libraries don't quite capture. Ultimately, the level of warmth and detail in the recordings, multiple mic perspectives, flexible ensemble sizes, and wide range of articulations make Pro XP an obvious choice for anyone whose goal is to produce ultra-realistic MIDI mockups." - KEYBOARD (Orchestral Library Roundup)
System Requirements

21 GB Free Hard Disc Space, DVD Drive
Win XP, Pentium III/Athlon 1 GHz, 512 MB RAM, DVD drive
Win XP, Pentium IV/Athlon 3 GHz, 1 GB RAM, DVD drive
WIN: VST™, RTAS™, DXi™, ASIO™, DirectSound™


Sunday, 20 July 2008

IK Multimedia T-RackS- Plugin & Standalone

IK.Multimedia.T-Racks.24.v.2.04-ZONE + 70 Presets
+ + + PC Standalone + + +

+ + + PC Plugin + + +

IK Multimedia T-RackS v1.3 VST RTAS AU MAC OSX UB Incl KeyGen DYNAMiCS
+ + + Mac Plugin + + +

If you record music with digital gear, you already know how challenging it can be to get that warm, broad, analog sound. Yet, up until now, there's never been a way to achieve this leaving the digital domain and piping your music through expensive analog gear.

T-RackS® 24 has everything you need to create superb, tube-toned masters on your desktop.

Its rich, warm sound starts with algorithms based on true analog circuitry. Its familiar interface makes it easy to control four powerful processors: EQ, compressor, limiter, and soft-clipping output stage. Enhances mix frequencies, stereo images, dynamic range and gives your audio a seamless, top notch sound.

T-RackS® 24 includes:
State-of-the-art 6 band Mastering EQ
Tube modeled stereo Compressor
Multi-band Master Limiter
Soft clipping output stage
Studio mastering presets

With its separate processors, astonishing warmth and ease-of-use, you'll be putting a polish on your tracks you may have never thought possible. All this, while adding the beautiful warmth and space of the tube devices it emulates. No other plug-in offers this kind of dedicated environment for such an important task and none sounds like T-RackS®.

IK.Multimedia.T-Racks.24.v.2.04-ZONE + 70 Presets - PC Standalone
IK.Multimedia.T-RackS.VST.RTAS.v1.3.Incl.Keygen-AiR - PC Plugin
IK Multimedia T-RackS v1.3 VST RTAS AU MAC OSX UB Incl KeyGen DYNAMiCS - Mac Plugin

ReFX Nexus v1.4.1 VSTi RTAS-DYNAMiCS

NEXUS is a next generation rom synthesizer of highest quality that will make your dreams come true. Forget about the usual bread & butter ROM synthesizers whose sounds are boring, stale and lacking punch.

NEXUS explores new territory and delivers complex, ultra-fat and up-to-date soundstorms that could not sound any better from the most expensive and best hardware - all at the tip of your fingers.

NEXUS provides you with everything you need to create the new hit. Do you need the most powerful dance leadsounds to become famous in your club or a Gregorian choir to create the atmosphere of the next trance hit? Whatever you need, NEXUS will supply you with what you have always been longing for.

Features like the freely programable arpeggiator, the versatile trancegate or the factory-library optimized for the most popular genres make this the best ROM synthesizer on the market.

Even though the sound is first rate, your CPU is spared. You can expand NEXUS with new sounds by installing genre-specific expansion packs or customize the look of the GUI with our themed skins.

Are you ready? You better be.

ReFX Nexus v1.4.1 VSTi RTAS-DYNAMiCS

Ilio - World Winds (NN-XT Refill)

pen your ears to a world of beauty and mystery.

Acclaimed UK composer and multi-instrumentalist Dirk Campbell has sampled every instrument in his extensive ethnic wind collection, bringing you the evocative sounds of many rarities like the Bansuri (Indian flute), Turkish and Persian Ney flutes, Kaval (Southeast European flute), African flute, Suling Slendro and Suling Pelog (Javanese flutes), Irish Penny Whistle, Irish Low Whistle, Fujara (Slovakian Contrabass Whistle), Japanese Shakuhachi, Andean Panpipes, Armenian Duduk, Indian Shenai, Egyptian Zummara, Turkish Zourna, Gaida Bagpipes (Greek and Bulgarian, three types), Irish Uilleann pipes (three types), Scots Highland pipes, Medieval Praetorius Bagpipes, Turkish Tulum, Arabian Mezoued, Cretan Askomandura, Czech Dudy, Nafir (Moroccan trumpet) and African Kudu Horn.

The flutes range from sweet and delicate to eerie, breathy and complex, evoking the beauty, stillness, depth and mystery of the natural world. In contrast, there are the wild, strange and stirring timbres of ethnic reed instruments, bagpipes and African horns. Dirk’s personal samples are supplemented by an Andean Panpipe player and a top Shakuhachi master.

The library’s strength lies in its articulations as well as straight notes. There are up and down bends, various types of grace notes, and authentic phrases and performances. These can be combined easily to provide a very realistic delivery, sounding just like a real player. To avoid tuning clashes, all samples are presented at concert pitch; alternatively, if you prefer to hear the instruments in their purest form, ‘raw’ programs have been supplied which demonstrate the native tuning, scales and ranges. There are also atmospheric programs which work well for pads and textures.

World Winds is a must-have for film, TV and media composers, World Music, Rock, Pop and contemporary Classical composers and performers, creative keyboardists and programmers, and anyone with an ear for great instrumental sounds!

Ilio - World Winds (NN-XT Refill)

Dancehall Accapellas vols 8-11

Dancehall Accapellas Volume 8

128-320kbps*, 44100Hz, 16 Bit, Stereo* MP3's
(* unless stated)

Assasin - Hyping Up
ARP - Tinted Car
Beenie Man - Dude
Bounty Killer - Cant Believe Me Eye
Bounty Killer - Chrome Baretta
Bounty Killer - Stand Firm
Bounty Killer - You Just Get Shot
Buju Banton - Boom Bye Bye
Capleton - Inna Heart (*mono)
Capleton - All Mine
Elephant Man - Cok Up Yuh Bumpa
Elephant Man - Head Gawn
Elephant Man - Wine Up Yuhself
Elephant Man - Yes Yes Yes
Elephant Man - Nah Stop Smoke
Elephant Man - Die By Gun
Elephant Man - Krazy Hype
Elephant Man - Mad Instruments
Elephant Man - Over The Wall
Elephant Man - Stop (Good To Go)
Sean Paul - Ever Blazing
TOK - Fire Fire
TOK - Defence
Vybz Kartel - Picture Me And You (*64k)
Vybz Kartel - Tek Buddy Gal
Vybz Kartel - Tek Gunshot
Wayne Wonder - No Letting Go

Dancehall Accapellas Vol 8

Dancehall Accapellas Volume 9

128-320kbps, 16bit, 44100Hz, Stereo MP3's

Assasin - Hotta Dan Her
Bascom X - Lonely Clean
Beenie Man - Heart Attack
Baby Cham - Ghetto Story
Busy Signal - Brave & Bold
Busy Signal - Di Gun
Capleton - Dash Fire
Chezidek - Dont Wait Too Long
Chuck Fender - I Swear
Ding Dong - Bad Man Forward
Elephant Man - Too Badmind (OK)
Fanton Mojah - Hail Di King
Fanton Mojah - Hungry
Jah Cure - Longing For
Jah Cure - No Jumpan Can Test We
KMC & Beenie Man - Soul On Fire
Mad Cobra - Chat So Much
Movado - Real McCoy
Richie Spice - Earth A Run Red
Richie Spice - Marijuana
Sizzla - Cyaan Too Much
Wayne Wonder - Blazing

Dancehall Accapellas Volume 9

Dancehall Accapellas Volume 10

192kbps, 16bit, 41000Hz, Stereo MP3's

Alozade & Hollow Point ft Mr Vegas - Under Mi Sensi
Baby Cham - Babylon Bwoy
Beenie Man - Brand
Beenie Man - Memories
Beenie Man - Love Me Now
Bounty Killer & Mobb Deep - Deadly Zone
Bounty Killer - Fed Up
Bounty Killer - Murderer
Capleton - I Love To See
Capleton - Mi Food
Capleton - Tour
Danny English & Egg Nog - Party Time
Elephant Man - Elephant Message
Elephant Man - Pon Di River
Lil Jon & Elephant Man - Get Low Remix
Mad Cobra - Big It Up
Mr Vegas - Pull Up

Dancehall Accapellas Volume 10

Dancehall Accapellas Volume 11

112-192 kbps, 44100Hz, 16 bit, Stereo MP3's

Sizzla & Bounty Killer ft Morgan - You've Got Me
Spragga Benz - Yuh Body Good
Tanto Metro & Devonte - Everyone Falls In Love
Tanya Stephens - What A Day
Voicemail - Bounce To Dis
Alozade - Surf The Volume
Beenie Man - Dancehall Queen
Beenie Man - Picture Dis
Bounty Killer - Run Come
Buju Banton & Red Rat - unknown title
Buju Banton - Immigration Law
Buju Banton - Legalise It
Buju Banton - Sensimillia Persecution

Dancehall Accapellas Volume 11

Bangin' Beats - Crates 1 & 2


#WC001 UGLY STEPCHILD DRUMS: 8 Kicks, 6 Snrs, 6 Hats, Ride.
The name says it all. Laced with more of the ILL original drums we're famous for.
#WC002 FUSED: 8 Kicks, 10 Snrs, 5 Hats, 2 Elec Toms, Shake FX.
The best of both worlds. A selection of Crunchy Hip Hop Drums Fused with Analog Flavored Kicks & Toms.
9 Kicks, 8 Snrs, ILL Claps, 2 Hats, Shaker, 2 Latin Perc Hits, 2 Horn Hits. (Dope Drums!)
#WC004 NETWORX: 9 Kicks, 10 Snrs, 5 Hats (2 Open & Closed).. + 4 Computer FX: Speed dial, Ring, Dial Up & Key Strokes. Never mind the FX though, the drums are super bad.
7 Kicks, 9 Snrs, 4 Hats, 3 Elec FX, 2 Lindy FX, Real Cowbell, 2 Deep Synth Bass Stabs.
6 kicks, 7 dope snrs, 3 hats, finger cymbal, 5 Indian Percussion slaps, 3 ill sitar chord hits,
2 clean sitar plucks.
#WC007 NEO-VIBE: 6 Kicks, 6 Snrs, Rim, Finger Snapz, 5 Hats (2 Open & Closed), Dope Slow Cabasa, Key Chord, Deep Ambient FX, Guitar Pluck.
#WC008 TURNTABLE SCRAPZ: 6 Kicks, 11 Snrs, Snr Scratch, 4 Hats (2 Open & Closed), DOPE Horn Stab, Grimey Guit Pluck, Record Backspin, Needle Drop FX, Needle Skid FX.
#WC009 WET CONGA CHOPS: 12 clean, wet chops. Play 'em in countless combinations or create your own orignal patterns. Clean as they come and splashed with big Lexicon reverb with late diffusion. (Adjust decay settings for Dry variations).
#WC010 THE DEFINITIVE 808 KIT: A complete palette from the classic. TR808 Kick, Snare, Closed & Open Hats, Cymbal, Clave, Rim, Claps, Toms & Shaker. Includes filter variations of Kicks & Snrs tweaked on the original monster without reinventing the wheel.


#GL001 OPEN SESAME: 6 Kicks, 11 Snrs, 3 Hats, Snap, Deep Bass Burp, Quick Elec. Bass Pluck, Grimey Low-bit Gong, 2 Clean Guiro Scrapes, Cowbell, 2 Pan Hits, Scrape Bell.
#GL002: 32 SICK SNARES: The name says it all. True to the name of the series,
We Kept it Gutta with these.
#GL003: RANK STYLEE: 7 Kicks, Clean Rim, 7 Snrs, OG Clap, 3 Hats, Shake, Git Pluck, Bkwdz Drama FX, Robo Cut, Pan Hit, 4 Analog Perc Hits, Buzz & Rank Hit, Tap FX.
#GL004: GUNZ-A-BLAZIN: 6 Kicks, 7 Snrs, Clap, 4 Hats, 13 Dirty ultra lo-fi (8-12 bit) Gun Slingin FX... Automatics, Nines, Rifles, 5 Cocks, 2 Ricochet Blasts etc...
#GL005: MO' BOUNCE: 4 Kicks, 7 Snrs, 4 Hats, Tom, Wet Mute Conga, Beat Box, Chhh FX, Bionic FX, Quick Rhodes Drama Chord, Ugly Dry Violin Riff.
#GL006: URBAN HERMIT: 6 Kicks, 10 Snrs, Snaps, Robo Clap, Slow Rim, 4 Hats (1 Semi open), Clean Sleigh Bell, Male Huh FX, Quick Triangle, Bounce up & Down Talking Bass.
#GL007: CAN-DO: 7 Kicks, 9 Snrs, 3 Hats, JB-ish Huh vox FX, Guit FX,
Wet Blue FX, Rubba Band perc.
#GL008: DUMB CRUNCHIES: 6 Kicks, 10 Snrs, 5 Hats, Drama Hit, Wet Git Hit.
#GL009: SNOOKA: 7 Kicks, 8 Snrs, 5 Hats, 1 Jingle, Piano Hit, 2 Space Bug FX.
More of the ugly drums you need in your life.
#GL010: C.O.D. (Cuts On Demand): 11 Cut clips ready for choppin', re-arranging, sequencing & frontin like you got a sick DJ. 1 Kick Rub, Orch Hit Transform, 2 Guitar cut seqs, OWw Trans., Dirty Piano skitch, Quick Horn cut, Quick 'Hey' Trans., Female 'Oh' cuts w/ 3 backspins, Butterfly, Quick Vox Trans.


Bangin Beats - The Weaponz Series - Crate 1
Bangin Beats - The Gutta Logic Series - Crate 2

Thursday, 17 July 2008

EZDrummer VSTi + Drumkit From HellMay

dfh EZdrummer™ is a multi-microphone drum sampler designed for musicians and producers in need of a compact, affordable, easy to handle plug-in without compromising sound quality or control. The visualized drums in the interface combines auditioning of sounds and drumkit construction. The extensive drag and drop midi-library (featuring 8000+ midifiles) enables users to create a great drumtrack in just a few clicks. For more advanced handling, users can control microphone bleeding and levels between drums using the internal mixer.
Drumkit From Hell EZXDrumkit From Hell aka DFH was originally created to address Toontrack Music´s own needs for better and heavier drums in musicproduction. As a result the Toontrack productionteam decided to record a drumlibrary with the best musicians and producers available in Swedish heavy metal.
includes updates..
mac and pc

Monday, 14 July 2008


CrySonic SINDO v2.0 (MAC)
SINDO V2 is our next generation hybrid stereo image expander (widener)/ Narrower with many enhanced new features offering an extremely highlevel of mono compatibility with minimal side effects. SINDO V2 offersa uniquely powerful stereo toolkit for digital editing,, mastering andtracking for all stereo audio material. SINDO V2 allows todramatically broaden and 'sweeten' the spaciousness of the stereoimage whilst retaining mono compatibility and not affecting the tonalcharacter of the original sound. The Global and individuallyadjustable frequency 'Rotations' can be used to Pan the center stereoimage without altering the mix level balance. Designed for efficiencySINDO V2 comprises of crysonics' intuitive user interface with fullautomation of all parameters and new features such as double clickingon any dial to set it to default. The fatiguing 'phasiness' found inother processors of this type has been avoided by adhering toestablished audio engineering principals. Two Phase-compensated ' Hiand Low Shufflers ' are also included to further enhance and improvethe spaciousness without introducing unwanted artifacts.
SINDO V2™ main features
• PC and Mac Compatible (Mac OS Universal Binary AU,VST and PC VSTNative)• Greatly Improved Audio Quality!• Cross-Over Selection and Adjustment to bias Stereo Separation• Targetable Rotations Per Frequency Range Without Altering Mix Level balance• True Global 'Pan' Without Altering Mix Level balance• Phase-compensated ' Shufflers ' for Low and Hi Stereo enhacement• Three Modes of operation to suit all Audio material• Individual Hi and Low Gain trim adjustments• Double click to set each control to default value!• Press Ctrl for finer Adjustment• Very Intuitive and easy to use User Interface• Hybrid M / S Stereo image expander and narrower • Extremely Transparent while retaining Mono-Compatibility• Minimum ' Phasiness'• Retaining the tonal character of original audio• Full automation for all parameters via the host• custom and user presets • Very Low CPU usage • 64-bit internal precision• Highly optimized Assembly DSP code with Vectorization on the Mac OS X Platform• Mastering, Mixing, restoration, audio post production and track sweetening.
• Transparently enhance the Spaciousness of any Audio with mono-compatibility • Accurately target and re-adjust stereo level-ballance • Widen existing stereo image without artifacts• Enhance Bass Spaciousness of any Audio with mono-compatibility

• Intel Celeron 600 or faster processor• 256MB RAM or more• Vista /Windows XP/ 2000 / 98 • VST compatible audio application• SINDO V2 Requires a one-time only Activation. We also guarantee lifetime ownership and use in any event when you like to move your product to a different DAW or PC.
MACINTOSH - NATIVE Universal Binary (Intel / PPC) AU or VST Plug-in Format
• PowerPC or Intel Mac • 512MB RAM or more• Mac OS X 10.3 or newer• AU or VST compatible audio application


CrySonic SpectraPhy LE v1.6 (MAC)
SPECTRAPHY LE is a highly optimized look-ahead Brickwall Limiter andLoudness Maximizer based on it's bigger brother and highly acclaimedDSP SpectraPhy VST. SpectraPhy LE has been designed to be used fortracking, mixing, Mastering and Live use or when ever a large quantityof limiters are required per project. Just as in the originalSpectraPhy, our proprietary physics based approach is employed at thecore DSP level, ensuring a very transparent sound with maximumloudness and no digital-overs.
• Proprietary Physics based Peak Limiting and Loudness Maximizing• Look-ahead Brickwall limiting with no overshoots, less then 0.2 ms Delay• Individual Left / Right Channel Limiting with Linking ability • Graphical Spectrum and Attack / Release Display • Pre-Smooth function to tame high transients • Easily have 1-60 instances per project (Depending on Processor)• Pre or Post output Spectrum• Velocity Sensitive Dials for extreme precise adjustments • Maximum transparent loudness • Full Automation for all parameters PC and Mac OS X • Very Intuitive GUI • 64-bit internal precision• 24bit/96Khz audio support• Highly optimized custom DSP code • Suitable for Mixing, Tracking, Mastering and Live use• 64-bit internal precision• 24bit/96Khz audio support• Assembly DSP code with Vectorization on the Mac OS X Platform
• Clipping Suppression, Loudness Maximizing, Mastering , Mixing, Tracking, audio post production and Live use

• Intel Celeron 600 or faster processor• 256MB RAM or more• Vista /Windows XP/ 2000 / 98 • VST compatible audio application
MACINTOSH - NATIVE Universal Binary (Intel / PPC) AU or VST Plug-inFormat
• PowerPC or Intel Mac • 512MB RAM or more• Mac OS X 10.2 or newer• AU or VST compatible audio application


CrySonic nXstasy v2.1 (MAC)
nXtasy V2.1 Analog based multi-Octave Harmonic saturation Audio DSPplug-in. With 64-Bit internal precision nXtasy can be used through outthe entire chain of music production from tracking, live use to mixingand final mastering. The primary ability of nXtasy is to addmulti-octave harmonics and en-duce tube like saturation effects. It isespecially potent for enhancing and adding punch and clarity to anyaudio material as well as enhancing any sound lacking in harmoniccontent. nXtasy V2 is ' Extremely CPU ' efficient and can easily beapplied to many tracks at once without straining system resources andthus opening many creative uses. Comprising of a very user friendlyinterface with an LCD Panel layout, nXtasy V2 enables rapid tweakingto establish the right sound for your requirements.
nXtasy V2.1 FEATURES
• Multi-Octave Vintage Harmonic Adjustment • Analog Saturation induction• Tape Saturation induction• Separate Left and Right Channel control • Linking of Harmonics Channels• Graphical LCD Panel • Mouse Over Help / Hint per control• Velocity Sensitive Rotary controls, Very Accurate • Wet / Dry Mix Dial • Full automation for all parameters via the host• Extremely efficient CPU usage • 64-bit internal precision• 24bit/96Khz audio support• Highly optimized assembly DSP code with Vectorization on the Mac OS X Platform • Mastering, Mixing, Tracking, restoration, audio post production andtrack sweetening
• Mastering, Mixing, Tracking, restoration, audio post production andtrack sweetening

• Intel Celeron 600 or faster processor• 256MB RAM or more• Vista /Windows XP/ 2000 / 98 • VST compatible audio application
MACINTOSH - NATIVE Universal Binary AU or VST Plug-in Format
• PowerPC or Intel Mac • 512MB RAM or more• Mac OS X 10.2 or newer• AU or VST compatible audio application

Sunday, 13 July 2008

ugo all

Ugo Disturbance v1.0

VSTi Disturbance v1.0 Loop & sample mangling, glitching, randomizing
-------------------- *Bug Report*: big rendering bug in Disturbance. A fix will be released very soon. Until then, the slice length, filter, sequenced pitch, and dirt sequencers can only be rendered in real time, not offline. fixed inversion 1.1 --------------------
Overview: Disturbance is primarily intended for the glitching/mangling of drum loops but it can also be useful with melodic material, vocals, and pretty much anything else you want to get glitchy with.
Disturbance is similar to a slicer, but a bit different. It works by chopping up a loop into 64 equal parts (no beat detection), then sequencing their playback, and each slice in Disturbance has its own loop point.
In addition to offering several playback order options, Disturbance also offers sequenced filtering, distortion, pitch shifting, and slice length well as various playback randomizations, dual delays, and non sequenced pitch shifting which can even be set to track MIDI note input, allowing you to turn anything you feed into Disturbance into a synth oscillator.
Disturbance can be used to create subtle or standard variations and effects, or it can warp your source material into something completely new. You can even adjust the start and end points of the sequencer to help you create odd time signature loops.
Additionally, you can even turn off the clock and use your Modulation wheel (CC1) to move forwards and backwards through the loop, almost like a wavetable.
Sequencer related features: - Slice length reduction - Filter cutoff (low or high pass filtering) - Pitch shifting - Dirt (distortion + downsampling + filtering) - Slice reverse - Random slice - 4 sequencer direction options - Mod wheel control over playback - Sequencer jitter effect - Host BPM sync or internal clock - Sequencer start/end point adjustment
Additional features: - Built in file browser - Dual Delay - Velocity sensitivity - Pitch Shifter with the option of fixed (non-sequenced) setttings, MIDI note tracking, and portamento. - 64 example/tutorial presets to get you started

Ugo M-theory v1.0

VSTi M-theory Hybrid Modeling Synth
Overview M-theory is a hybrid synth that is built around the Karplus-Strong delay based physical modeling technique, and uses samples, VA oscillators, and noise to drive the delay based oscillator; resulting in a very wide range of high quality synthetic and hybrid acoustic modeled sounds.
M-theory is the successor to the highly popular String Theory and, in comparison to its predecessor, M-theory is far more flexible and delivers a much higher quality tone, with greater depth, clarity, and character.
Feature-wise, It has many more tone shaping options, expanded filtering, more effects, programmable arps (clock gate), a dedicated bow/sustain mode, dampening, and more. One of the biggest feature changes is the option to use samples as exciters for the delay oscillators...but this is most definitely not a rompler.
How it works The best way to think about the two part oscillator section in M-theory, and how samples can work in it, is to consider a guitar string. The string is under tension, but it needs outside intervention to get it vibrating. You can pluck it with your fingers, use a plastic or metal pick, you can bow it, hit it with a drum stick, etc. In each case, the resulting sound is still very much one of a string but it will differ depending on how you chose to make the string vibrate, and with what material.
In M-theory, the delays can be though of as the guitar string, and the exciters can be thought of as what you used to make that guitar string vibrate. So just as how different objects/materials will produce a different tones on a guitar string, using different sources as exciters in M-theory will lend some of their tone to the delays, but the overall sound still is the sound of the delays and not so much the exciters. In fact, when you use samples you'll find that remarkably little of the original sound will actually be retained, but they can have a very large effect on the tone of the synth.
M-theory provides 3 options for exciters: 24 built-in samples, user loaded samples, or virtual analog oscillators (including noise) and you can have two of them feeding the delays at once, each imparting a bit of its tone to the overall sound.
Key Features - Karplus-Strong style synthesis engine - Dual exciters, each with the option of samples, VA or noise sources - Option to load your own samples - Independent low, band, high, and all pass filters - Dual programmable arpeggiators and an extra MIDI note trigger/doubler feature - Built in tremolo, metal effect, chorus, delay, and reverb. - 320 presets

Ugo Metallurgy v1.5

VST Metallurgy v1.5 Killer multi effect
Awarded a perfect 10 out of 10 score in Computer Music Magazine! (issue 99)
Metallurgy is a PC VST multi effect that is capable of providing sounds ranging from some basic, subtle, filter tweaks to twisted, complex, walls of sound that bear virtually no resemblance to the original audio.
Metallurgy offers 3 filters with multiple modulation options, 2 very digital distortions, 2 downsamplers, dual delay, an envelope follower, a gate sequencer, and a Metal effect that, in addition to flanging and metallic effects, also provides the ability to produce pitched sequences. You can even play the pitches via MIDI input, nearly turning Metallurgy into an synth in it's own right.
Metallurgy was designed with drums, bass, and synths in mind, but it works well with a wide variety of input material and is useful for many styles of music. I always encourage experimentation with all my VST's but it's especially so with this one since, by virtue of being an effect, you can run anything you want through it. So just feed it lots of different stuff, see what it spits out, and have fun!
Metal effect - For metallic sounds, flanging, and sequenced notes - 16 step pitch sequencer with a 5 octave note range, portamento, and sequence length - MIDI input option - LFO
Filters - Low pass, band pass, and high pass - All 3 filters can function at the same time, running in parallel - Each filter has it's own LFO, which can control both cutoff and pan - 16 step sequencer with mod amount control for each filter, glide, and sequence length - Each filter has its own volume control - Each filter has its own pan control
Filth 1 and 2...each includes: - Downsampler - Distortion with 3 modes - LFO controls the downsamplers (8 modes, including positive and negative options) - Filth 1 = pre filter, Filth 2 = post filter
Gate + Pan sequencer - 16 steps - Option to sequence the gate, pan or both - Gate length control - Mix control
Dual Delay - Each has its own time controls - Stereo width adjustment
Envelope follower - Modulate any/all of the 3 filter cutoffs - Modulate Metal time + the Metal's all pass filter - Modulate input volume - Modulate effect mix - Amount, attack and decay controls
Randomizer for most sections
Midi CC control over nearly all parameters
Host BPM sync for LFOs and sequencers, as well as an optional internal clock
Mono signal path
No annoying copy protection schemes!
512 Categorized presets by: Canned Heat Darrell Burgan / Spirit Canyon Audio dystonia_ek H.G. Fortune Jeremy Janzen / Floyd Stephan Muesch / rsmus7 Tim Conrardy / Algomusic WaveRider Roben Stobenz Dave Wallin / White Noise Audio Frank Genus / ToTc / Pro-Sounds Donovan Stringer / Sickle Highkoo Anke Jeff Rhodes / Perimeter Sound Arts Ugo

Ugo Ironhead v1.5

VSTi Ironhead v1.5 Morphing Synthetic Junk Percussion Kit
What's New in 1.5: - Greatly improved sound and flexibility - New master pitch control for each instrument - Noise control for the Bonks - Drum trigger buttons - Improved kit randomizer - Interface enhancements - All new presets
Ironhead Overview: Easy Interface Ironhead's interface has been built to provide a simple set of controls that make it fast, easy, and fun to use. With Ironhead, you can get to a cool and interesting percussion sound quickly, without having to get too caught up in all the synth programming details of how to get there.
Synthetic Junkyard Percussion Ironhead has been designed to provide sounds that will likely be different from the other percussion sources you have, increasing the chances of you finding something that will spice up your tracks, while minimizing the chances of overlap with your existing synths and samples. This lets Ironhead work well not just as a primary percussion source, but also as a secondary source for layering with loops and other drum synths. Ironhead's sound is best thought of as synthetic junk percussion and the 15 instruments in Ironhead's kit are named after the types of sounds they produce. Ironhead can go from familiar drum/percussion sounds to wild sweeps, thumps, knocks, smacks, clangs, and bangs...and always with its own unique character.
Morphing & Variance To add further life and movement to your grooves, Ironhead offers two types of modulation: Morphing and Variance.
Ironhead's morphing allows you morph, or switch, between two different control states for each instrument. The results can be anything from just a quick jump to a different sound, to subtle shifts and sweeps, to wild experimental sounds. Morphing can be turned on or off individually for each drum and the morphing can be controlled via BPM synced LFO, the mod wheel on your keyboard / midi CC, VST automation, or just with your mouse.
The Variance feature allows you to set an adjustable degree of random variation in the sound. This feature is independently available for each instrument in the kit and, with this function turned on, each hit to that drum will sound randomly different. Lower settings provide subtle variations that are useful for making grooves feel less repetitious, while higher settings can provide dramatically different sounds that are fun for fills and experimental purposes.
Outputs If you require more sound shaping than what is provided onboard, Ironhead also has 4 stereo outputs that are assignable per instrument...allowing you to run specific pieces of the kit through whatever external processing you want. To help get you rolling with extra effects, Ironhead comes bundled with Tunguska, a morphing multi effect that was built especially for use with Ironhead!
(Ironhead sounds great with Metallurgy too! Buy both and get a discount.)
Features: - Fast, fun, and easy interface - 15 unique sounding percussion instruments - Morphing (controled by LFO, automation, MIDI) - Variance - Dual delay (BPM sync with dotted notes) - Kit randomizer
128 Kits By: - Runagate - Antoine Bertier - Psy-T - Jim Cloud - Canned Heat - Ugo

Ugo Tunguska v1.1

VST Tunguska v1.1 Morphing Multi Effect
Overview Tunguska is a multi effect that was designed especially to be a companion to Ironhead. It can be useful as a master effect for the whole kit, or on specific percussion sounds sent to Tunguska from Ironhead's additional outputs. (or used with any other audio source.)
Tunguska's two key components are its granulator and filter, both of which can be morphed between two states, allowing you to bring additional movement to your grooves.
Tunguska may be a small effect, but the effect it can have over incoming audio can range from subtle tweaks to your sound, to mutating it into something completely different from the original...and all with the same fast and easy interface style of Ironhead.
Features: - Fast and fun interface style of Ironhead - Pitch shifting granulator (morphable) - Resonant filter (morphable) - Distortion - Downsampling - Dual delay (BPM sync with dotted notes) - Morphing (controled by LFO, automation, MIDI) - Envelope follower - Stereo signal path - 32 presets
New in 1.1 - New presets by Perimeter Sound Arts, Elvar Aron, and Ugo - Minor bug fixes - Minor GUI enhancements


FXPansion BFD v2.0.4.17 VSTi

v2.0.4.17 Changes:
* Significantly reduced CPU load and memory footprint. * Drumagog drum replacer support. * Improved compatibility & performance with Mac OS X 10.5 Leopard. * Improved workflow and stability.

this is update only ..install bfd 2 first...
scaned..but not tested..


mac link:

Saturday, 12 July 2008


Acoustica Premium 4 extends the the standard version of the full-featured audio editor Acoustica with support for multichannel audio formats such as 5.1 and 7.1 surround. Additionally, the integrated CD burner in Acoustica Premium 4 provides precise control over the details of audio CD productions, such as pause lengths, index markers and CD-TEXT fields.

The processing tools from the following Acon Digital Media plug-in suites are tightly integrated in Acoustica Premium 4, thus providing a simplified workflow and a large range of professional quality tools for mastering, editing and sound design:

New Team Member.....

Some of you may have noticed, some may have not, but we have a new team member. Due to a new job and lack of spare time ive been unable to regularly post new stuff to the blog so thats where our new team member comes in......

Oltos has been helping members here with there problems and has been re-upping files for a long time now, he has been a great help to me and im glad he has joined me in the running of the blog.

Let the sharing commence....

Voxengo VariSaturator 1.4

VariSaturator is an audio effect plug-in designed to apply saturation effects over audio material. VariSaturator can be used both to boost the loudness of the audio tracks without increasing their peak levels proportionally, and to apply subtle harmonic coloration that makes tracks sound more pronounced and polished.VariSaturator features two saturation modules which are applied in sequence, in two-band mode each. The valve saturation module applies asymmetric valve processing that closely resembles sound of valve amplifier cascade, and being a digital emulation, it applies its best sonic features without side artifacts like noise, strong phase shift and high frequency roll-off. Another saturation module VariSaturator features is a digital “waveshaping” saturator with feedback topology. This module applies smooth two-band saturation which can amplify signal level and apply desirable harmonic coloration. If you have some “muffled” track in the mix that needs to cut through the mix better, VariSaturator will help you in this case easily.VariSaturator can be used in a variety of audio processing cases: you may apply it with good results over drum, bass and vocal tracks, over sub-mixes and of course over complete mixes. Since VariSaturator does not provide a brick-wall limiting performance, when applied over full mixes, it is best used for the final loudness boost inserted before the finishing brick-wall limiter.Note, though, that since VariSaturator applies distortion, it may damage original sonic qualities of the audio material if used incautiously. For initial evaluation of VariSaturator’s sonic performance you can use the factory presets VariSaturator comes with.
Two-band processing
Valve and digital saturation
Multi-channel processing
Internal channel routing
Channel grouping
Mid/side processing
64-bit floating point processing
Preset manager
Undo/redo history
A/B comparisons
Contextual hint messages
Voxengo VariSaturator
Latest version: 1.4
Win 32bit and 64bit versions are included in package

Tuesday, 8 July 2008

Portable Native Instruments ELEKTRIK Piano 1.5

Portable Native Instruments ELEKTRIK Piano 1.5

* One instrument offering the sound of four legendary e-pianos
* Reproduces the sounds of the of the Fender Rhodes MK1™, Fender Rhodes MK2™, Hohner Clavinet E7™, Wurlitzer A 200™
* Vintage-style look and feel* Full and powerful sound
* First-class presets for each of the four instruments
* Especially intuitive control surface for uncomplicated live and studio use
* 4 multi-function knobs for phaser, chorus, tremolo, reverb - depending on preset
* Assignable preset buttons for fast sound changes
* Based on Native Instruments’ high-performance sample engine
* Intensive multi-sampling with velocity and release samples for a truly authentic sound
* Individual velocity curves for use with every kind of MIDI keyboard

System Requirements Mac:
* Requires 2 GB free hard disk space* Minimum: Mac OS 10.2.6 or higher, G4 867 MHz, 512 MB RAM* Recommended: Mac OS 10.2.6 or higher, G4 1.2 GHz, 1 GB RAM

System Requirements PC:
* Requires 2 GB free hard disk space* Minimum: Windows XP, Pentium III/ Athlon 800 MHz, 512 MB RAM* Recommended: Windows XP, Pentium III/ Athlon 1.2 MHz, 1 GB RAM

Portable Native Instruments Akoustik Piano 1.5 34.25 Mb

do note this is a portable version (can run from usb drive)
*...has no library files...its the silent version....were looking into this


Monday, 7 July 2008

ApulSoft ApEQ 1.3.1 VST

ApulSoft ApEQ 1.3.1 VST

High precision equalizer/analyzer.Create and edit filters on top of a high resolution analyzer display.Features
* Audio plugin for Mac OS X (VST/AU) & Windows (VST)
* 64bit internal precision
* 2x and 4x oversampling* Unique filter stack feature to improve filter results
* Output hard- and softclipping built in
* Variable number of filterbands (up to 64)
* Up to 40 dB gain per filter
* Independent stereo filtering
* High resolution FFT analyzer
* Large analyzer display with zooming
* Graphical editing of filters on top of the analyzer display
ApulSoft ApEQ 1.3.1 VST 8 MB

Reaktor Registered User Library

NI Reaktor Registered User Library May and June 2008
NOTE: these are new ensembles AND/OR recently updated ensembles
A128 Fixed Filter Bank.ens
F'ing F'er V1.ens
Heavy Motion
Roland RE201.ism
tcm 006.ens
tcm 007.ens
Roland RE201.ism
3Stage ENV 1.1.005.mdl
Nifty Core Oscillators
Snapshot Fader.mdl
tbm 004.ens
tbm 008.ens
tbm 009.ens
tcm 001.ens
tcm 002.ens
tcm 003.ens
tcm 004.ens
tcm 005.ens
tcm 006.ens
tcm 007.ens
tdm 001.ens
tdm 002.ens
tdm 003.ens
tdm 004.ens
Debris 1_1.ens
Resonatter 2.ens
40Dire Tales.ens
Fourious 2000 1.5.ens
Heavy Motion
Medusa V2
Medusa V2.ens
Perc_FM4 remix.ens
ROSCO -Sonik^dd.ens
VSF Remix ^DD.ens
Test Area:


Sunday, 6 July 2008

dBpoweramp 13

dBpoweramp 13
CD Ripping we take ripping seriously, do you?
Audio Conversion effortlessly convert between formats
CD Burning write Audio CDs with ease
Batch Ripping large scale CD Ripping



BFD 2.0

BFD 2.0

FXPansion BFD 2.0
(may 2008 upload mirror)

The most powerful acoustic drum production workstation ever.
BFD2's easy to use interface is redesigned from the ground up to give you more power and control for shaping your drums than ever before. It's fast and easy to set up and integrate into your digital audio workstation of choice.
Create expressive, complex drum parts using 55GB of rare, vintage, boutique and classic drumkits. Recorded at AIR Studios in London, BFD2's sound library combines extreme realism with stunning sound quality.
Mix your drums with flexible routing, submixing and built-in EQ, compressors and other effects.
Meanwhile, BFD2's Groove engine offers advanced editing, performance and humanization functions for creating realistic drum parts. You can even lay out a full song's drum track entirely within BFD2!
Thanks to original uploader...and the mirror where I found this...
you rock!
Windows /OSX

Audio Lava


AudioLava is the ideal solution for restoring and recording high quality audio from LP to CD. AudioLava automatically removes noise such as tape hiss or clicks and crackle on LP records. The user friendly Cleaning Wizard helps you to find the best way to bring your analog and digital recordings back to life in an impressive quality and guides you through all the steps from recording and track splitting to restoration and CD burning.
With AudioLava you can easily enhance your audio files to a quality you have never heard before. The digital emulation of phono preamplifiers allows you to record your music signal without buying an additional phono preamplifier.

*Important NoticeBefore you install AudioLava, please make sure you have Microsoft DirectX 8.0 or higher installed.

AudioLava 1.0 Build 355
English PC



Saturday, 5 July 2008

AudioCommander 4.0

AudioCommander 4.0

Batch convert 20+ audio formats with powerful command-line or easy-to-use interface
Powerful and fast batch converter for CD, MP3, WAV, WMA, OGG, AAC, AC3, AIFF, AU, VOX, RAW, PCM, ADPCM, A-LAW, u-LAW, MP2, FLAC, ALAC, AMR, M4A, MP4, or WavPack through highly configurable command-line or easy-to-use interface, and settings for complete output control. Settings for bitrate, frequency, channels, logging, and FreeDB. Convert an entire folder (recursive subfolder support), wildcards, and comma delimited filenames or any combination.
System Requirements 1 GB RAM, 20 MB HDOS
Support: Windows 98/Me/2000/XP/2003